A Quote by Edward Hirsch
But, something has to be worked through formally as well as emotionally. Now, when those two things come together I've got something, I think, that I can be proud of.
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Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
We seem to invest so much time and belief that those things are stable in some way - something to build towards, or something to use to better understand where we come from. So often those expectations are just so out of line with how the universe works. I don't see it as a productive way of seeing the world, so, when I deal with that stuff formally - or when I try to allow it to inspire me - I'm open to it twisting itself up.
Look how Bill Cohen and George Mitchell worked together. It's the stuff of legends. And now it's the stuff of almost ancient history, regrettably, but the way those two really worked together.
I think that my music is really honest and I think I have something to say. The world revolves around so much negativity that I feel we really need something positive right now. I think people need to be encouraged to strive after those things that seem impossible. That is one of the common themes that runs through my record.
This is something I think that blues music, or folk music, and all those particular genres that have a perspective about life deal with - where the difficulties of life are seen as something that are very natural and nothing to be embarrassed about, and something that we all go through; something that's part of our share of humanity. And it accepts those difficulties and pain as such. I think there's a wonderful forgiveness that can come over you, if you have that perspective on it.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
As a filmmaker, like any artist, when something affects me emotionally I think about it in those terms. It's my way of dealing with my thoughts, my fears and my hardships. I think the same can be said with any artist. For a musician, you're going to write a song about something that affects you emotionally.
As a filmmaker‚ like any artist‚ when something affects me emotionally I think about it in those terms. It's my way of dealing with my thoughts‚ my fears and my hardships. I think the same can be said with any artist. For a musician‚ you're going to write a song about something that affects you emotionally.
I realized I was growing up or something like that. You have responsibilities...you've got to think about getting your act together. I didn't even know what it had been doing to me. I didn't realize how dangerous it was. People talked in terms of drugs and I used to think in terms of...well in Ireland, everybody drinks. Nobody gives it a second thought. You're Irish number one and you're a drinker number two. That's the first two things about us Irish.
We should not allow fear or anxiety to stop us from doing something. If you think through something well and prepare thoroughly, you can do a lot of things you think you can't.
The times that I have done something that I didn't respond to emotionally right away, it's generally not worked out too well.
I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.
Look what you've already come through! Don't deny it. You've already come through some things, which are very painful. If you've been alive until you're 35, you have gone through some pain. It cost you something. And you've come through it. So at least look at that. And have a sense to look at yourself and say, "Well, wait a minute. I'm stronger than I thought I was."
You make something from things that have happened and from things that exist and from all things that you know and all those you cannot know, and you make something through your invention that is truer than anything true and alive, and if you make it well enough, you give it immortality.
I can sit and list off all the things that are being worked on and all the things that are on the table, but that will take away all the surprises that are going to come. There are so many explosive, exciting things that are happening. Everybody that is in my life and in my world now has something to do with what I do.
I think I'm most proud of the fact that I have figured out how to exist as both a creative person and artist, and a businesswoman and manager. Because those two things do not go together.
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