A Quote by Edward Zwick
I've been in plenty of situations where I thought the film would turn out one way or my performance would be looked at one way and it was an entirely different situation.
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African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
Jem, Cecily thought, with a pang in her heart. Her brother had always looked to him as a kind of North Star, a compass that would ever point him toward the right decision. She had never quite thought of her brother as lucky before, and certainly would not have expected to do so today, and yet-and yet in a way he had been. To always have someone to turn to like that, and not to worry constantly that one was looking to the wrong stars.
I try to take off the rose-colored glasses and view it in all facets, but I probably would be lying if I didn't say that probably the way in for a film with me is the performance. But I have been on juries where you have to give Best Screenplay, Best Cinematography. So you do have to put on several different hats and I try to broaden my scope. And what's great is, when you're in a room full of people who are not your milieu, so to speak, you find yourself speaking in a way that you do discover a slightly discerning eye.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
When I started out, no one would talk to young people about HIV or AIDS. I looked around and radio looked like a powerful way to shape culture in a healthy way.
The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations.
It had the old double keyboard, an entirely different set of keys for capitals and figures, so that the paper seemed a long way off, and the machine was as big and solid as a battle cruiser. Typing was then a muscular activity. You could ache after it. If you were not familiar with those vast keyboards, your hand wandered over them like a child lost in a wood. The noise might have been that of a shipyard on the Clyde. You would no more have thought of carrying one of those grim structures as you would have thought of travelling with a piano.
'Pyaar Ka Punchnama' was mainly a boys' film; we girls were just a catalyst. We would set up a situation for them to react to, and the joke would come on us. The applause was for the boys. But, the film paved the way for me in the industry.
Over the years, there certainly have been plenty of ideas that I've had and given up on, but for this one, the only thing that was standing in its way was me doing it - I just had to write it... And then if it didn't happen, it didn't happen. But I didn't want it to be for lack of effort on my part, so I had hunch that it would be a good story and that we would work well together. And it certainly worked out that way.
On a given day, Serena Williams could beat some players. I believe because she's so incredibly strong mentally that she could overcome some situations where players would choke 'cause she's been in it so many times, so many situations at Wimbledon, The U.S. Open, etc. But if she had to just play the circuit - the men's circuit - that would be an entirely different story.
What would I have done if I'd been put to the test? Would I have risked my own life for people I hardly knew? Probably, I would have looked the other way at best or become another apologist for evil at worst.
That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.
The endeavor of being a foreign correspondent means that you will never be their equal. And that has its pros and cons. Were you to be an insider in a particular society, then you would be one of them, and the way you would write about that society would be very different. When you're brought up in a certain way, you have certain blind spots to the things going on in your culture. There is an illumination the outsider brings to a place or a situation that cannot be duplicated.
I always wanted to make this film or another film. I thought the worst thing you could do was to react to Slumdog's success in some way. I thought it would be really foolish.
I studied mass media and brand management and was looking to do an MBA. When an acting offer came by, I thought I'll do one film so that it would look good on my CV. Films happened one after another, in different industries. I'm so glad things turned out the way they did.
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