A Quote by Edward Zwick

However much I may like to talk about or be interested in a more philosophical or moral agenda, [film] is, ultimately, about narrative. And it's about telling stories that are engaging and dramatic.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the poor, he's pretty interested in selling your worldly goods and storing up riches in heaven. However, religious fundamentalists have made it all about sex, and that's like saying, "Look at the sex and we're just not going to talk about what you may be doing in a financial way that is sinful."
I've enjoyed the singular focus of not going back and forth between the two mediums. It isn't about the screen size so much as film being where the stories I'm most interested in telling happen to be at.
I'm really interested in trying to tell stories about women that don't involve romantic components. That's so much a part of the way we feel about female characters and their needs that it feels like it's built in - but I'd like to find a way that it's not. There are so many more stories than that.
Despite the impression you may have from watching too much TV, movies are not about reproducing reality. They're about telling stories.
Despite the impression you may have from watching too much TV, movies are not about reproducing reality. Theyre about telling stories.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.
Plotinus, when he thinks about mind or intellect, the Greek word is 'nous', he thinks about something that's very different, it's much more elevated and special, more abstract, you might say more philosophical than the very broad range of mental events that we talk about in contemporary philosophy of mind.
I was interested in immigration and I wanted to use that in the film, not necessarily to talk about immigrants, although I wanted to do that, but to talk about ourselves through the eyes of an immigrant. The film takes place in the school and it tells us a little bit about who we are and where we're at, but through the eyes of someone who has a different background.
I like the law. I like the part that's about reasoning, about persuasion, about telling stories, about trying to build structures that fall within rules.
I would say I was a philosophical boy. Thoughts about 'identical stones' are the earliest philosophical thoughts I remember. But when I was a teenager I also thought about the more typical philosophical problems teenagers think about: the existence of god, the objectivity of morality, whether one can know that the external world exists.
When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
I'm interested in telling stories about characters that are interesting and who are challenging in some way, one that will make you think about them afterwards.
I don't like to talk about messages so much with films simply because it's a little more didactic. The reason I'm a filmmaker is to tell stories and so you hope that they will have resonance for people and for the kind of things you're talking about.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
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