A Quote by Edward Zwick

Sometimes when an actor and director work together for the first time, it's not as if there's a suspicion, but there is tentativeness, a certain amount of a right of passage you have to go through in order to get there. When it's already there from the beginning, it's such a plus.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
In Korea, the director has the final word. If the director makes a decision, that decision is final. In Hollywood, every decision needs to go through the producer, the studio, and sometimes even the main actor. There is a certain procedure that needs to be followed.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
When you shoot an independent movie you have a very limited amount of time, and you don't want to be that actor, when a poor director is trying to get through a movie, that you're asking at every second to discuss performance.
Sometimes you're gonna write a song and it's not gonna be right from the beginning. And you're just gonna have to work through that wall. But if you know something is there, you've gotta just keep doing it until you get it right. So, I'll work on a song for three months if I have to, to get it right.
Work at getting organized like a hobby. Set aside a certain amount of time each day (or whatever time your budget will allow). While it may indeed take a fair amount of time to establish order, once it is achieved, you will save more time than you have ever spent.
There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
A lot of times, professional athletes say, 'I'm not a role model; I'm an athlete.' I don't mind being a role model because I know what I've done in order to make it to where I am right now. It's a lot of hard work; it's a tremendous amount of hard work. But in order to be make it to a certain level, everybody knows it's going to take time.
The real work of an actor goes on inside, and I don't think it changes from director to director - I always go for broke! But I don't get a lot of direction, unfortunately.
The worst is when I talk myself into something. Sometimes you take things because you want to work with a certain actor, or you want to work with a director, even if the script or the part's not that great.
One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.
I like working with a first time director. I'm more likely to work with a first time director than I am a second time director.
I don't think that within a certain amount of time we can get rid of all nuclear weapons. But I do believe that, step by step, we could get others to join us. I call it going up the mountain. We can get to the top eventually, but we have to get to base camp first. Right now, we are in the valley. So we have a long way to go, but maybe our children or our grandchildren will see the top of the mountain.
Sometimes I feel like a beetle crawling through a fusion power plant. I can feel a certain amount, see a certain amount, but I sure as hell don't understand everything.
People don't realize 'Drag Race' is a certain percent competition, but it's also a game show. There's a certain amount of throwing dice and spinning wheels, and there are twists and turns all the time. Part of it is also having the right idea and pulling the right look together that day. We're all making choices in the moment.
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