A Quote by Edward Zwick
I met a lot of women in the military with Meg Ryan, and they were remarkably impressive: Competent and strong and not versions of men, but versions of women. And they had stories to tell about how difficult it had been for them.
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The story was the important thing and little changes here and there were really part of the story. There were even stories about the different versions of stories and how they imagined the differing versions came to be.
The brave men and women stepping up to tell their #MeToo stories have inspired a movement that pushes us to become better versions of ourselves.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
What I like about the '60s movies was that they were about women. They were telling women's stories. I think a lot of movies don't tell women's stories anymore.
Back in the days when men were hunters and chest beaters and women spent their whole lives worrying about pregnancy or dying in childbirth, they often had to be taken against their will. Men complained that women were cold, unresponsive, frigid... They wanted their women wanton. They wanted their women wild. Now women were finally learning to be wanton and wild - and what happened? The men wilted.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
I feel like we want women to be simpler, less complex, so we project a lot of versions of simplicity onto them to fit that.
I know people could tell incredible stories. People have been in concentration camps, or women being raped, or a man going to war and not recovering from it. People have been robbed and beaten. A lot of people have had strong events in their life, which I didn't.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I was surrounded by strong women so it had never even occurred to me that women were anything other than equal to men.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
There were all us baby boomers who had a grammar school education, started to learn, then went on the pill, the whole thing, and so there are today a lot more women writers, editors, producers, and so a lot more women's stories. God, the BBC's practically run by women.
In my family, growing up, the women were always the ones who were powerful, and they exuded this charisma of empowerment that I hold onto and always remember. I had some difficult times, but these strong women were always a constant.
Osho used me and Shunyo (my girlfriend at the time) as an example of how he envisioned men and women should relate. He shared a story he had often told in discourse of a man and woman who lived at opposite ends of a lake. They were deeply in love but only met by chance when sometimes out rowing on the water. He said it was beautiful how Shunyo and I met like this couple. When we had the feeling to be together, we would meet and enjoy. And when we were apart, we were also happy and content in our aloneness.
Women-in-jeopardy movies are, in essence, the updated versions of men dying to save the princess from the dragon to earn her love. They are modern-day training films for teaching women to select the best protectors while weeding out the rest.
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