A Quote by Edward Zwick

The thing that has always interested me - amidst the scale, the historical spectacle, or the social significance or the political resonance - has been the relationships.
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
Every Jewish holiday has a religious significance, a historical significance, and a relevance to the time of year in the natural calendar of the seasons and trees and growing things, as well as a personal significance. So you are always looking backward, outward, inward and forward.
I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.
I think I've always been extremely conscious of the kind of empowerment that comes from realizing that you're in a position to express yourself. And the fact is that - and this is the thing about punk rock - that everyone is in a position to create culture, and that point has never been lost on me. To me, that's an important political aspect of doing this, and trying to live in a way that's about dialogue as opposed to like... spectacle.
The social [media channel] isn't about beauty contests and popularity contests. They're a distortion, a caricature of the real thing. It's about trust, connection, and community. That's what there's too little of in today's mediascape, despite all the hoopla surrounding social tools. The promise of the Internet wasn't merely to inflate relationships, without adding depth, resonance, and meaning. It was to fundamentally rewire people, communities, civil society, business, and the state — through thicker, stronger, more meaningful relationships. That's where the future of media lies.
When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn’t really part of it.
When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn't really part of it.
For as long as I can remember, I've always been interested in issues of social justice, political freedom, and civil rights.
If a source gives us material that is of political, diplomatic, ethical or historical significance that has not been published before and is comprised of official documents or recordings, then we will publish it.
I've always been interested in relationships and the break-up of relationships.
By linking with friends and ultimately strangers and building those relationships, social media is reweaving the social fabric that can then be used to scale your non-profit efforts.
I've always been interested in socially political, or overtly political, comedy. And I guess I've always liked to channel some kind of personal element to that.
I guess I've always been quite interested in the Situationists' ideas about urbanism and spectacle and how we move through life.
I was a political science major. I was always interested in social impact.
I've always been interested in socially political, or overtly political, comedy.
The art of meditation may be exercised at all hours, and in all places, and men of genius, in their walks, at table, and amidst assemblies, turning the eye of the the mind upwards, can form an artificial solitude; retired amidst a crowd, calm amidst distraction, and wise amidst folly.
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