A Quote by Edward Zwick
One resists categorization at one's peril.
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Taoism has no rules. It's a suggestion for preceiving life in its wholeness, without unnessary categorization, yet enjoying the beauty of categorization.
The peril of this Nation is not in any foreign foe! We, the people, are its power, its peril, and its hope.
If, therefore, the Greeks or others say that they are not committed to Peter and to his successors, they necessarily say that they are not of the sheep of Christ, since the Lord says that there is only one fold and one shepherd (Jn.10:16). Whoever, therefore, resists this authority, resists the command of God Himself.
i happen to enjoy categorization.
Maturity is having the ability to escape categorization.
A man may be buoyed up by the efflation of his wild desires to brave any imaginable peril; but he cannot calmly see one he loves braving the same peril; simply because he cannot feel within turn that which prompts another. He sees the danger, and feels not the power that is to overcome it.
Musicians exist independent of any of the marketing terms or the categorization.
There's something to me with categorization - it stops you from thinking about the thing that is actually happening.
I have worked really hard to defy categorization, to break down a taxonomy whenever it comes my way.
I believe that the development of language - of naming, categorization, conceptualization - destroys our ability to see as we age.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex and vital.
Genre categorization is a capitalist (rather than artistic) thing, a symptom of marketing and major-chain bookshelf placement.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself.
I have been in many countries, and I have found there people examining their own love of life, sense of peril, their own common sense. The one thing they cannot understand is why that same love of life, sense of peril and above all common sense, is not invariably shared among their leaders and rulers.
For in tremendous extremities human souls are like drowning men; well enough they know they are in peril; well enough they know the causes of that peril;--nevertheless, the sea is the sea, and these drowning men do drown.
What resists, persists.
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