A Quote by Edward Zwick

If I try to think objectively about myself and my work, I would say I want to be intuitive and distinctive. — © Edward Zwick
If I try to think objectively about myself and my work, I would say I want to be intuitive and distinctive.
I don't write because I think I have anything particularly interesting to say. I write because I love writing more than any other work I've done. I do think about entertaining the reader to the extent that I try always to write a book that I myself would want to read, but I don't think it's up for me to decide if what I've written is interesting to others. That is entirely up to others.
I do try to do high-impact work, and I try to think of ideas people haven't thought about that have broad implications, but I don't restrict myself to that. I try to work on things that I find interesting.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
I don't look at my work in a critical or analytical way; I just don't think of myself objectively. It doesn't interest me.
I don't like theorizing about my work myself, but that's not to say I have no interest in theory. Other people are free to say what they want about my work.
I have to try to watch myself and give myself feedback. People would take for granted that I was ready to go right away. And I would say, "No, no, no, no, I actually have to go talk to myself." Because I need to just take a minute to think about what just happened and tell myself what to do in the next take, so just give me two minutes to go be a director.
I'm not by nature a terribly intuitive person; I need to build a situation in which I will behave more intuitively, and that has really changed the life of my work - I found a way to trick myself into being intuitive.
I try not to think of myself in any category, and I don't ever really try to imagine myself competing with another actor. I just know I want to do the things that I would want to see, and I know the things that turn me on, whether it's on the stage, or it's a play or a film. I just kind of want to keep doing my own thing.
I would describe myself as outspoken. Not political. Outspoken about what I want to say. There are things that need to be said... and I think it's my obligation to say them.
I find myself both as man and as myself something more determined and distinctive, at pitch, more distinctive and higher pitched than anything else I see.
What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.
I definitely think about the types of girls that I think would like a certain thing, but at the end of the day it's the most pure expression of myself, let's say, what I'm doing and what I want to create.
People think, for some reason, that I don't care about creativity and art, or helping people. So I would say that the biggest misconception is, when you think about me, when you think about my name, I don't want you to think about design or clothes or music. I want you to think about a person that's just trying to help people.
I have the gift of neither the spoken nor the written word, especially if I have to say something about myself or my work. Whoever wants to know something about me -as an artist, the only notable thing- ought to look carefully at my pictures and try and see in them what I am and what I want to do.
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