A Quote by Ekoplekz
I'm conscious of the fact that a lot of Ekoplekz material got released in quick succession. It was difficult for people to keep up. The thing is, once you hand over the material to the label you have no control over when something comes out - at one point I had whole LPs that were overlapping.
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Without a doubt, if I had it to do all over again, I would do whatever it takes to be a one-person studio. You need to learn how to write so you can control the material. If you own the material, you can do it all.
When Brad and I got married in 2008, it got a lot of attention. And all the attention was over the fact that we were two men, but people were hardly conscious of the fact that we were entering into an interracial marriage. That's wonderful, because it was only 50 years ago with Loving v. Virginia that interracial marriages were made legal.
I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
We practice conscious forgetting by refusing to summon up the fiery material, we refuse to recollect. To forget is an active, not a passive, endeavor. It means to not haul up certain materials, or turn them over and over, to not work oneself up by repetitive thought, picture, or emotion.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
I spend a lot of my time just developing material; or the company does. That material can come from a book, can come from a newspaper, can come from a discussion and sometimes it can come from a script that got passed over and is floating around.
Our culture is hung up on and overemphasises what can be derived from material objects. I think this is something quite new, over the past 200 or 300 years - that life has become about accumulating material wealth. The 21st century is not about accumulating material wealth like the 20th century. It's already eroding.
I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
Corporations are legal fictions created by the State to shield executives from liability… It’s like if I had a little hand-puppet, and I went to rob a bank, and the hand-puppet held the little gun and told people to hand over all the money, and then the hand-puppet grabbed the money and ran out, and then I got caught and I handed the hand-puppet over the police and then the police tried the hand-puppet, put the hand-puppet in jail, and I get to keep all the money.
You've got to just let it go and know that other people are enjoying the fact that you've fallen over. It makes you feel better about the next time you laugh when you see another person fall over. These things go in cycles; someone has to fall over at some point, even the coolest man on earth. Ryan Gosling has fallen over...once. He has! It's just a fact, Ryan Gosling has fallen over and we should all embrace that.
The band cannot sign to another label or even put out its own material unless they are released from their agreement, which never happens.
I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
The sad truth for American actors is that they really have no control whatsoever over the material that they get, or can do, particularly actresses. And if you're over 40 and you're an actress, forget it.
The material I did was lasting material. A lot of people thought I wasn't doing anything, but I was in the studio. The biggest factor is the material you choose. You hunt, you cut.
