A Quote by Ekoplekz
In the 80s, if you wanted to make electronic music, it was a much tougher and more expensive process. For many people it would involve either spending loads of money on gear or else cutting demos in a proper studio. But I had this Casio keyboard and tape recorder and used to do stuff in my bedroom - I'd listen to Mantronix and all that. That was what I had so that's what I used.
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I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
The women used the music to get their men to relate to them better: "talk to me, tell me what's on your mind." Men used the music to get the girls in the mood to make love. So either way you had it, Barry White is the one artist who actually was in your bedroom with you at your most sacred, sensuous moment of your life.
My dad had records, but only one deck, so Skep used to try and play a song on one deck - the Music Centre we used to call it, a cabinet with a glass door - he would play one tune on the record and then mix the tape to it, that's what he used to like doing. He became a DJ.
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
Music was segregated in the '80s, and then in the '90s the boundaries started to break down, and rock kids got into electronic music. But then you got this reverse snobbery where people would only listen to electronic music and not rock.
In the Air Force, I had an old Wilcox Gay recorder, and I used to hear guitar runs on that recorder going (vocalizing) like the chords on "I Walk The Line." And I always wanted to write a love song using that theme, that tune.
Growing up, I was definitely surrounded by music all the time. My parents used to always play music; my dad used to have reggae on. I remember walking around with a cassette recorder, and I used to just record the songs I would hear on the radio so I could play it back when I feel like.
I used to be so angry about the kids that had stuff. Like the kids that had cars, the kids that had money to go get lunch every day off campus. I used to feel so slighted.
Life got very good - we went from living in a one-bedroom apartment to a five-bedroom mansion by the time I was in high school. I had everything I wanted growing up, though all I wanted was music stuff - drums, a PC, turntables.
I have had the occasion of coming into money and spending some recklessly, like on a purse. At this point, shopping and the spending of money on things like Botox gives me the rush I used to get copping drugs on the street. Or, making other people cop drugs for me on the street. I didn't like to do that. I wanted to protect my reputation.
I wanted to be a pro wrestler, but my mom didn't let me. I used to make videos and stuff in the backyard. I had a buddy named Daniel Decker, and we used to have a tag team called the 'Deck Garra Era.' We used to make video after video. We were the tag team champions, but then we turned on each other.
My father used to tape 'Top of the Pops' for me every Sunday, and I would sit in my bedroom, write down the lyrics of all of my favourite songs, and sing along. I was always singing in my bedroom with a hairbrush.
I wanted to keep the music very electronic, very filmic, and give it an almost sci-fi like quality. Music is a necessity for me. I go into the studio at least five days a week, every week, so once I had the idea and the template, the process was quick and fun.
