A Quote by Elaine Pagels
After Ann Godoff, who was editor-in-chief at Random House, left and went to Viking, I got to know Viking and the people there, and liked them very much. I also found a wonderful editor there, Wendy Wolf. It's a very congenial press.
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We do have a big kind of history in literate tradition of Vikings and we have a lot of Viking blood in Scotland, I mean especially up north wherever you go you see a plastic Viking sitting outside a shop and Viking calendars and - because they - you know they came down and stole all our chicks and then some of them didn't quite get back and ended up settling down here. So there's a lot of Viking blood in Scotland.
When I was a grad student at MIT, I had a chance to become friends with the Viking Mission's chief scientist, Dr. Gerald Soffen. Viking was the first Mars lander looking for signs of life on Mars.
Viking women, if they were left behind, were ruling their town. They were earls in their own right; they owned land in their own right. They could divorce their husbands if they wanted to. All of those wonderful allowances that were made for women in the Viking culture weren't really part of the Christian culture at the time.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
I always thought the editor should cut the film and so I'll come in and look at the movie. Just because that's the only way I can really see the ideas of the editor, it's really working together. Yes it's a hierarchy, yes I'm the boss, but I like to see and to think about the idea, and it's about us asking, 'do we have to say that?' and, 'how do we make it there?' So it's advising the editor, it's very give and take, it's very free, but in the end, it's wonderful once you get through the first couple of cuts.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I had very much wanted to be the very first black female editor-in-chief of 'Vogue.' Barring that, I wanted to work at 'Entertainment Weekly.'
I was the editor of the News of the World; I was the editor of the Sun and chief executive.
Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.
We know they took their look very seriously - tweezers and combs were found in Viking graves. The warriors would file their teeth down to make them pointy, use kohl to make their eyes look darker, and red pigment on their teeth to make them look bloody.
Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
At the time, liberals didn't understand that they had First Amendment rights. So, I was doing cartoons in this narrative cartoon form about subject surrounding that and as I was turned down by editor after editor at each publishing house, I began to notice on their desks this new newspaper called The Village Voice, which I then went and picked up and thought, well my god, these editors that were turning me down all, whom tell me how much they like my stuff, but they don't know how to market it because nobody knows who I am. If I got into this paper, they would know who I am.
You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
I do have a Viking axe by the bed if I need to whack someone... My wife bought me a Viking axe - the axe side curls down so you can grab the adversary around the neck and you can use it to climb walls, as a grappling hook.
I left for New York expecting to repeat my success, only to be turned down by almost every publisher in that city, till the Viking Press, my American publishers of a lifetime, thought of taking me on.
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