A Quote by Eli Roth
When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
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Since many people have been asking me to elaborate on why I think "Inglourious Basterds" is akin to Holocaust denial, I'll try to explain what I mean as succinctly as possible, by paraphrasing Roland Barthes: anything that makes Fascism unreal is wrong. For me, "Inglourious Basterds" makes the Holocaust harder, not easier to grasp -- as a historical reality, I mean, not as a movie convention. Insofar as it becomes a movie convention, it loses its historical reality.
I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene just came to me.
Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him.
I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment--rich in fantasy and blithely amoral.
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
As soon as we finished filming, I felt like I had been woken up from a magical dream and had to pinch myself to remember that it was real. Every scene is now a blur. I feel like I will be watching it for the first time with the rest of the world. I am nervous. But excited.
I watched war films so that I have an understanding of what has already been done and what I could do in 'Paltan.' I watched films like 'Atonement,' 'Schindler's List,' 'Inglourious Basterds,' 'The Reader,' 'Downfall,' 'Saving Private Ryan,' 'Katyn,' 'Enemy at the Gates' and many more. I hope it all reflects in my performance in the film.
If somebody came up with a really good idea, everyone would back it. Especially when we did the show, we had a real dedication that, if you were in somebody else's scene, everyone worked their hardest to make that scene good.
One time, when I was filming 'Strong Woman Do Bong Soon,' I had to ask my little sister to bring me something. I was filming a scene where I had to carry Park Hyung Sik and Ji Soo on my back, and my sister just had her eyes on them the whole time. She had no interest in me whatsoever.
Do I believe the execution will work out? Les Moonves said yes to Survivor based partly upon my show Eco-Challenge. He liked my way of filming outdoors. It was the first use of helicopters on a documentary with the gyro-stabilized lenses. And a certain beauty of filming, allowing the drops to fall from a leaf into a puddle, allowing a spider to weave a web. Taking the breath to allow that to happen rather than showing scene after scene.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
In some ways, it's easier to be the lead. Week after week, scene after scene, the rhythms of filming force you to peel away a certain amount of artifice. When you're on set that much, there's a license to let the character emerge from the work itself.
My feet are killing me." "I knew somebody who had feet like that. They'd walk all over him. Archie Kashanian was his name. He used to wake up with footprints all over his chest, all over his face. It was the death of him, finally.
We just started filming, and after every scene was shot, we had a rehearsal for the next one.
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