A Quote by Eli Roth

The difference is in Hostel it's in the theatre - it's in public but it's in a private place. You have to actively make a choice to want to go see it. It's not being forced on anyone. Whereas 24 you can be flipping channels and it's right there in your living room. Anyone has access to that. But that just shows how mainstream it is and how people are seeing this stuff on YouTube. People are scared of it. This is a subject matter that everyone's talking about and everyone's thinking about, particularly in American culture.
When we are thinking about stuff like embeds, we are not thinking about how we are competing with YouTube. We are thinking about how are we going to make it more useful for people to share stuff on Facebook.
I was really strict about my daughter sleeping in her own room, and now she's really independent and likes it that way. So I think for all new moms, I can totally see how you can get wrapped up in making your child 100% your time. But if you could just take 5% or 10% for yourself a day, it won't just make the difference in your confidence, but also your sanity. I think once you just set boundaries and how you're going to parent - everyone parents differently so I hate to be that person to tell them how anyone should parent, I think whatever works for you works.
If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
I'm sorry, I don't know what any of you want, or why guns and knives are being waved around, or why the girl has just been taken hostage, but everyone seems to be acting like having a TALKING SKELETON in the room is perfectly normal. And you, where are your eyes? How can you see? How come the only people with eyes in this room are me and her?
I don`t like people that make their living talking about bullshit, and you see them in many shows that are made on the same subject. When you go looking at UFOs or bigfoot or what-have-you, there's just nothing there.
I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.
Half of my library are old books because I like seeing how people thought about their world at their time. So that I don't get bigheaded about something we just discovered and I can be humble about where we might go next. Because you can see who got stuff right and most of the people who got stuff wrong.
It's a real wrenching thing to go from being a private person to being a public person, especially when you're being autobiographical. But it's what everyone wants - to get everyone's attention, to have your music make a living for you, to be validated in that way.
I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.
I'm trying to illuminate how perilously narrow we draw the concepts of masculinity and sexuality in our male culture - particularly in black male culture - and to help people to see that there's room enough for everyone.
Meditation is about seeing clearly the body that we have, the mind that we have, the domestic situation that we have, the job that we have, and the people who are in our lives. It's about seeing how we react to all these things. It's seeing our emotions and thoughts just as they are right now, in this very moment, in this very room, on this very seat. It's about not trying to make them go away, not trying to become better than we are, but just seeing clearly with precision and gentleness.
We believe that anyone can do anything, and everyone's a star. And that's evident from the shows we do. It just feels like a whole bunch of people in a room celebrating something - maybe just being alive.
I always think about what it means to wear eyeglasses. When you get used to glasses you don't know how far you could really see. I think about all the people before eyeglasses were invented. It must have been weird because everyone was seeing in different ways according to how bad their eyes were. Now, eyeglasses standardize everyone's vision to 20-20. That's an example of everyone becoming more alike. Everyone could be seeing at different levels if it weren't for glasses.
People are idiots. Including me. Everyone is an idiot, not just the people with the low SAT scores. The only difference is that we're idiots about different things at different times. No matter how smart you are, you spend much of your day being an idiot.
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it.
'Hostel' is that's how I feel about what's going on in Iraq. There's people that just want money and people are being sacrificed for it.
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