A Quote by Eli Roth

Even the European critics... They said Hostel is the smartest film they'd seen on capitalism and how it's gone too far. — © Eli Roth
Even the European critics... They said Hostel is the smartest film they'd seen on capitalism and how it's gone too far.
I think that capitalism has just gone too far. And it is actually not limited to the United States. The excesses of capitalism is making us suffer all over the world right now.
Hostel' is a hard-hitting reality film depicting actual hostel life and I hope to break from my chocolate boy image.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.
Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"
For nearly two centuries, scholars and politicians have debated the future of capitalism. Its critics, most prominent among them Karl Marx, have seen capitalism as intrinsically unstable, full of contradictions that will lead eventually to its collapse. Its supporters see it as the best way to allocate resources and rewards. Some even hint that the democratic capitalistic society is not just a phase in the historical evolution of economic systems but its ultimate end.
I'd like to do a film in Canada, but it's too difficult. National Film Board funding takes too long, and there's too much paperwork; by the time the film is approved the topic is dead and gone.
I think we have gone too far into the PC culture. But there's a limit to how far we can take that.
I think we have gone too far into the PC culture, but there's a limit to how far we can take that.
Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.
Various studios are still shooting on film with digital grain and the DI negatives, it's not ideal. We should really be all film or all digital. But that being said, the old way of graining in the camera, now you can make changes like a painter. It's dangerous because you can ruin the film, you can over-fiddle. We've all seen films and gone 'what the hell is that?'
When Jerry Springer thinks you've gone too far, my friends, you have gone too far.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
You have seen cricketers who are not god-gifted, but even then, they have gone far. That's because of the passion.
The European Union is effectively a union dominated by the German political and economic elite. Its main function is to serve as a nucleus for financial capitalism and to ease the road for that capitalism. The other functions just irritate everyone: it's undemocratic; decisions are not made by parliament; the European Parliament is not sovereign.
As the children were sitting there eating pears, a girl came walking along the road from town. When she saw the children she stopped and asked, "Have you seen my papa go by?" "M-m-m," said Pippi. "How did he look? Did he have blue eyes?" "Yes," said the girl. "Medium large, not too tall and not too short?" "Yes," said the girl. "Black hat and black shoes?" "Yes, exactly," said the girl eagerly. "No, that one we haven't seen," said Pippi decidedly.
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