A Quote by Eli Roth
Even post-WWII, nobody talked about the Holocaust. It wasn't until the '50s that people started talking about it.
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An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.
Talking about Apple v. Microsoft without mentioning the Internet and the browser is like talking about WWII without talking about the nuke. Framing the conversation just in terms of open v. closed operating systems, the quality of the hardware or software or who the CEO was, is silly.
I never hated Ronda. She's always talked about me; she did that to promote herself because when she started, nobody knew her, and she talked about me for people to know who she is. And she opened the doors for women's MMA.
You're gonna die. You're gonna die. And nobody's gonna care which version of the iPhone you used to make something on Twitter, or to go and post about your bowel movement on Facebook. And I'm not even talking about legacy; I'm talking about the fact that I personally feel most alive when I'm making something, and I feel least alive when I'm being led around by some obnoxious use of my attention that I wasn't aware of. To me, that's the thing. You can buy the jogging shoes and you can buy the Runner's World, but until you put them on and walk out the door every day, you're just a fat man.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Growing up in a small Alaska town, domestic violence was that dirty little secret nobody talked about. We must start talking about it. For too long, we have been providing protection to the wrong people.
When people talked about protecting their privacy when I was growing up, they were talking about protecting it from the government. They talked about unreasonable searches and seizures, about keeping the government out of their bedrooms.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.
Everybody gets talked about. Jesus Christ got talked about. It's just what happens. It's just part of it. And if people aren't talking, it's like, who are you? So I really let the people talk.
WWII is something contemporary readers already know a lot about. If our schools are doing their jobs, they know about the invasion of Normandy, the Hitler Youth, the Holocaust, and at least a few of the horrors of the Eastern Front.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
People can get certain good things out of fame, but until it killed a princess nobody ever talked about how bad it can be.
It's dark and it's divisive - deporting 11 million people, talking about law and order, calling every group of people in America names, talking about cutting taxes on the wealthy, feeling like Donald Trump can bring more nuclear weapons into the world - I mean, everything he's talked about is a form of change.
I started freestyling with friends about eight or nine years ago. I started writing also around the same time, but didn't meet blockhead until about '94. I started making beats not until about '96.
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