A Quote by Eli Roth

I think characters are most terrifying when they're relatable. It's best when your most horrible characters make sense, and are believable. That's when a movie is most terrifying.
Cancer was the most terrifying, arduous, painful thing, but it was also a profound gift in the sense that I was holding so much in my body for so many years that was dark and terrifying which was preventing my coming back into myself.
I think the most important technique is to ground everything, to make fantasy world grounded and relatable, just great characters.
Of all the criminal cases in which Philo Vance participated as unofficial investigator, the most sinister, the most bizarre, the seemingly most incomprehensible, and certainly the most terrifying was the one that followed the famous Greene murders.
Mads has a terrifying subtlety and as the episodes go on, you start seeing the way a person can command other people by doing practically nothing and terrifying the sh*t out of you. He is the most astonishingly subtle performer with the most incredibly keen sense of what his face can do and how his words can form. He has a mission. Nothing is by chance. I truly believe as long as we have success in seasons that Mads will become the defining face of Hannibal Lecter.
If you look at UFC champions: BJ Penn - terrifying! GSP - terrifying! Anderson Silva - terrifying! But I'm not terrifying.
In my own work, I don't have favorite characters, but I have characters that I relate to the most. And I relate the most to Simon from 'The Mortal Instruments,' and also Tessa from 'The Infernal Devices.' They're more sort of bookish and shy characters.
Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
The most terrifying thing for most everybody in the whole Western World is to take responsibility for your own life and to experience real freedom.
I think that there's absolutely no point trying to force your body to be anything than what it is. I think that when you see people who are really pushing themselves to terrifying lengths to achieve what is perceived as being beautiful today, then that's just terrifying, it's really terrifying.
I'm all about surprises. If you watch a horror movie, and it's called 'Kiss Land,' it's probably going to be the most terrifying thing you've ever seen in your life.
I prefer playing characters that are going through turmoil. Most movie characters are just in service to the story.
If you look at UFC champions: BJ Penn - terrifying! GSP - terrifying! Anderson Silva - terrifying! But I'm not terrifying. I am not the super-submission guy, I am not the one-punch KO guy, so I am not the most feared guy in the worldBut I will not quit, I will not break and I will fight you like a dog for every second of every round. I am not a super-talented guy, I'm just a dude who will fight you tooth and nail.
The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of as despicable.
To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.
I think The Nightingale is my best, most mature, most moving novel, but maybe that's just because I love these characters. I love the setting.
My characters - no, make that most characters - are seeking the shelter of narrative resolution, a place of quiet and grace.
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