A Quote by Eli Roth

If someone gets up and walks out of the movie, it means it's really affected them. — © Eli Roth
If someone gets up and walks out of the movie, it means it's really affected them.
When someone is bullying you, don't let it get to you. I remember my friends in school, someone said something mean to them, and they really let it get to them. And it really affected them. But I would just say try to ignore it as much as possible and just be yourself.
Give a lecture to a thousand people.One walks out and says,I'm going to change my life." Another one walks out with a yawn and says,"I've heard all this before."Why is that? Why wouldn't both be affected the same way?Another mystery."
Am I really a person who lives by faith? God can surely tell the difference between someone who walks in darkness and someone who walks with her eyes shut. Which am I?
Being able to go to someone's house and have dinner with them and their family, being able to go see a movie with them, or go shopping, it makes you really care for someone and hope that they succeed. That means a lot in an on-court relationship. It creates trust.
The good thing about a jail show is nobody gets up and walks out.
The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
But if the cow is purple, you'd notice it, OK? The thing that's going to decide what gets talked about, what gets done, what gets changed, what gets purchased, what gets built is, is it remarkable? And remarkable's a really cool word 'cause we think it just means neat, but it also means worth making a remark about, and that is the essence of where idea diffusion is going.
You can always tell in a movie when they are setting you up for something. If someone leaves an important object on the table and walks away, the camera will have some way of indicating that to you.
I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn't what they wanted. So, I try to make signs, graphically and visually, to say to people "Okay, this is this department of my work and this is this other department of my work." And of course I'm very pleased if people like all of them, but I don't want them to feel deceived at any point.
When somebody brings up a movie (of mine) that I haven't heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, 'Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.' It's real. I really did do that, because someone today remembers it.
'Ted Lasso' has affected all of us - affected the cast, affected the crew, affected the writers. You can't really make a show like this without being accountable, and looking at your own behavior.
A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!
'A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!'
I love covering politics at that early stage where you can walk up to Mike Huckabee, who gets out of his car by himself. A car that he drove, who just walks up and talks to you because that's the only way he can get his message out.
He comes into the world God knows how, walks on the water, gets out of his grave and goes up off the Hill of Howth. What drivel is this?
If you really want to tell someone you love them, you don't just go and blurt it out. There's a dance. And your movie does that.
This site uses cookies to ensure you get the best experience. More info...
Got it!