A Quote by Eli Roth

I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I think in general with micro-budget films right now, it's rough. The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.
I think journalists and filmmakers are keen observers. And actors must also be sharp observers as they draw their characters and their stories from what they experience around them. After all, that is what actors, filmmakers, journalists are trained to be: observers. And then they do something with their observations.
The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
I think independent filmmakers, documentary filmmakers - they are journalists.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
Whole class of filmmakers, they're all graduating to a new level of filmmaking, which I think is awesome.
The Danish filmmakers are a unique breed of filmmakers, with the Dogme films and Lars von Trier.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
I always say that AMC hires filmmakers, and they let them be filmmakers.
'Hunger' definitely changed my life, in terms of being recognized by filmmakers, since that was very much a filmmakers' film.
I know many filmmakers, and shooting in IMAX is challenging. Filmmakers love the vividness and power of those big images.
I love mentoring young filmmakers and girl filmmakers.
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