A Quote by Elia Kazan
With kids you can take a chance but casting a guy at 45 is different. You don't discover somebody that age. If an actor hasn't made it by that time he probably has no talent.
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For any female actor, the age between 35 to 45 is treacherous. Filmmakers tell me, I am at that awkward age. No parts are written for women in this age bracket, while men at that age flourish and have great careers.
If two people have a couple of kids, somebody does have to take care of the kids. Somebody does have to cook dinner; somebody does have to do garbage duty. We need to take some time and give some thought, without being angry, to just thinking about what these new structures are going to look like.
A well known director wouldn't take the chance on casting me for an American role after he discovered that I was English. Some time later, he expressed his regret that he hadn't taken the chance with me.
Even when you're casting, casting is always one of the weirdest subjective areas. You can get a group of people who would decide and say, "This person is a great actor and this person is less than a great actor," but there will always be somebody else who likes that person better than you based on their experience in their other films.
I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?'
I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?
From age 16 to age 20, a woman's body is a temple. From 21 to 45, it's an amusement park. From 45 on, it's a terrarium.
For me, when you're casting known talent, you're not just casting their performances. You're casting the public's relationship with them, their public images to a degree.
At different times in my life, I've made grand statements like, 'I want these many kids, and I want them by this age.' I think, with every year that goes by, I accept that I don't know when it's going to happen or how it's going to happen. I'll just take it one day at a time, and when I'm ready, I'll be ready. It'll reveal itself, I guess.
That will not be the time for choosing: it will be the time when we discover which side we really have chosen, whether we realized it before or not. Now, today, this moment, is out chance to chose the right side. God is holding back to give us that chance. It will not last forever. We must take it or leave it.
I just let the work speak for itself. An actor is not afraid to take risks; to put on different hats; to be a good guy, a bad guy, a victim, an abuser. There are all kinds of people in the world, and playing them is what acting is all about.
All a guy needed was a chance. Somebody was alway controlling who got a chance and who didn't.
Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.
Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
Even from the age of about 6 years old, I was kind of made to feel different by other kids - you know, I was a quite pretty kid, and I got called 'girl' a lot, and 'woman' and all of that. And school is really not a place to be different.
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