A Quote by Elia Kazan
The only guy who was at all helpful as a producer was Sam Spiegel with On the Waterfront. He's one of the few who even knows what he's doing.
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An associate producer is the only guy in Hollywood who will associate with a producer.
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If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
A guy like Drew Brees is a guy that knows how to undress a defense. Most of the time he knows where he's gonna go before he even gets the ball. So he's ready to deliver that ball almost as soon as it comes to his hands.
Every year's going to be a what-if. That's the game of basketball. What if a guy turns his ankle? What if a guy gets in a car wreck coming to the arena? There are so many different aspects that could happen that nobody knows. Only the man upstairs knows.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
As a planning board commissioner, I have to review the applications for development throughout the city, and the bulk of those applications have been for the waterfront. I think the progress the waterfront has made is amazing.
The guy, Magic Johnson, built a business empire and you don't do that just because you have a pretty smile. The guy is definitely a smart guy, knows what he's doing. He's a basketball genius. So to downplay that and disrespect that, I thought it was stereotyping him way too much.
I'd say that that is a challenge, but it also is, again, it's helpful. It's helpful to have the discipline of, okay, I'm doing, I'm doing something that's quite precise over here, working the puppet, and I'm doing something that's very imprecise and creative and unleashed over here, which is the comedy side. And it's kind of nice to allow your brain to be doing those two things at once.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
I've always wanted to do blow with Genghis Khan, 'bet that guy knows how to party. I also think a bottle of wine with Hitchcock would've been cool. Also doing shots with the baby Jesus, bet that guy knows how to party.
A producer is someone who actually calls the shots. An executive producer is just a guy that eats more food at craft service.
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
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