A Quote by Elia Kazan
I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am.
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Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
It occurred to me that building a company was the best way to align a group of people towards building something great. And its really... it's a good organizational structure where you can really reward people. If they're building something that's good, you can you work with partners and reward them if the product that you're developing work well. It's a good way to get the best people involved to build something very good.
I meditate because evolution gave me a big brain, but it didn't come with an instruction manual. I meditate because life is too short and sitting slows it down. I meditate because life is too long and I need an occasional breakI meditate because it's such a relief to spend time ignoring myselfI meditate because I'm building myself a bigger and better perspective, and occasionally I need to add a new window.
I was offered some film roles, and I did not do them. It would have been interesting, but I have no regrets. I am where I am; I accept and embrace the mistakes because they're character-building and they build perspective and talent.
I come from a theatre group called Drama Tech in Delhi. When its founder Mr. Chopra called me and appreciated my work, that was also satisfying because he gave me my first play.
I grew up in a household that revered building businesses. It wasn't thinking about leadership; it was more about building something. To build something, you ultimately have to lead.
Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.
I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
I would be fooling myself if I thought I would succeed as an entrepreneur. Maybe my base as a theatre artiste gave me the confidence as that's when you start feeling you can do something on your own.
I was raised in a group home for 14 years, so I was a beneficiary of philanthropy. I didn't have a family. The nameless, faceless strangers were my family. They gave me an education, put food on the table and clothes on my back. I am who I am because of that formative experience. Now I am paying it forward.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
I always introduce myself as an encyclopedia of defects which I do not deny. Why should I? It took me a whole life to build myself as I am.
Architecture was, or is, a kind of hobby, an inclination I have to fiddling around and building things. Putting up shelves or cupboards, or making tools, or designing houses ... it always has a functional or social motivation. If social changes are in the air, I am gripped immediately by the desire to build, and I think that I accelerate or anticipate changes in my life by doing so, at least in draft. In the case of my house, that was anticipation: in other words, first build, then change one's life.
When a Pueblo Indian does not feel in the right mood, he stays away from the men's council. When an ancient Roman stumbled on the threshold as he left the house, he gave up his plans for the day. This seems to us senseless, but under primitive conditions of life such an omen inclines one at least to be cautious. When I am not in full control of myself, my bodily movements may be under a certain constraint; my attention is easily distracted; I am somewhat absent-minded. As a result I knock against something, stumble, let something fall, or forget something.
Music is my life. The last job I had, I was a bricklayer's apprentice. And I was happy with that job, too, because it was something that made me feel good. To build a wall for the side of a building felt really good to me.
In the 20th century, we built a lot of walls - we endlessly tried to build walls between us and people we perceived, correctly or incorrect, as our enemies. In the 21st century, because of the advent of networks, the free movement of goods and people across the globe, we need to build security by building bridges instead of building walls.
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