A Quote by Elia Kazan

I was very intense. I think it's a privilege to be an actor. — © Elia Kazan
I was very intense. I think it's a privilege to be an actor.
Ranbir is a very intelligent actor and he is one of my favorite actor in the present generation. He is very good and he is very intense. He is doing a wonderful job and his choice of films is very good.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
Of course, the opposite of white privilege is not blackness, as many of us seemed to think then; the opposite of white privilege is working to dismantle that privilege. But my particular hip-hop generation proved to be very serious about figuring it all out and staying engaged.
I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant.
For any actor, it's a great privilege to play a character that is very distant from yourself.
Our kids are growing up with more privilege than we had; that's true for most of my friends in L.A. I don't know any actor who grew up with any particular privilege, so everyone wrestles with this. And I think, a lot of times, it's about being patient with your kids.
I don't call myself a method actor, but the thing is, when you meet Reynolds Woodcock, who is always Reynolds Woodcock, you kind of are Alma, and you kind of become Alma all the time. I think after the first day, Vicky was going, 'Oh gosh.' It was so intense, and I couldn't understand why it was so intense.
I was very careful to cast guys who were very good-looking and very fit and who had a certain sense of privilege about them, because with that sense of privilege comes contempt.
If your white privilege and class privilege protects you, then you have an obligation to use that privilege to take stands that work to end the injustice that grants that privilege in the first place.
I hope that audiences respond really positively. I think it's a very intense, entertaining film [The Last King of Scotland], because you're brought in on a fun ride, and slowly you fall into it as James [actor James McAvoy's character, Dr. Nicholas Garrigan] does. Nicholas is like the audience. I think it's a good ride for people. And you learn something, as well.
It can be very intense being an actor; it can be quite a small world. Then you speak to your friend who is a scientist and they have a completely different perspective.
It is the privilege of greatness to confer intense happiness with insignificant gifts.
I think people often think of me as very intense. I'm a congressman and all, but I'm actually very laid back.
The privilege of privilege is that the terms of privilege are rendered invisible. It is a luxury not to have to think about race, or class, or gender. Only those marginalized by some category understand how powerful that category is when deployed against them.
Acting, music, painting... it's very subjective. So what I might think is a great actor, you might think is not a very good actor at all.
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