A Quote by Elizabeth Chai Vasarhelyi

At its heart, 'Meru' is a personal story. — © Elizabeth Chai Vasarhelyi
At its heart, 'Meru' is a personal story.
As a documentary filmmaker, 'Meru' was an irresistible challenge. You can spend years searching for the right story, but this one had all the elements: the obstacles, the characters, and the drama.
We are trying to communicate that which lies in our deepest heart, which has no words, which can only be hinted at through the means of a story. And somehow, miraculously, a story that comes from deep in my heart calls from a reader that which is deepest in his or her heart, and together from our secret hidden selves we create a story that neither of us could have told alone.
Each of us is our own story, but none of us is only our own story. The arc of my own personal story is inexplicably and intrinsically linked to the story of my parents and the story of my neighbor and the story of the kid that I met one time. All of us are linked in ways that we don't always see. We are never simply ourselves.
Meru is the culmination of all I've done and all I've wanted to do.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
Meru was the most challenging climb of my life. Not once but twice.
The new approach to health care will feature the healing power of story. In the clear understanding that finding meaning in any life passage may be at the heart of healing, our healers -declared or undeclared - will help people use the power of dreaming to move beyond personal history into a bigger story that contains the juice and sense of purpose to get them through.
I think you have to have a personal connection, and that's what I am always looking to try to create: a personal way in to a story.
At the heart of world time is the momentum of history. At the heart of personal time is the mystery and wonder of individuality. At the heart of deep, new time is the creative spirit. But at the heart of our time is love.
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
Sometimes if you can tell one personal story with a lot of sincerity, it can become a universal story.
The top climbers in the world had attempted this climb and couldn't do it. That history is what makes Meru special.
I think this is pretty clear, but maybe not to everybody: Despite the fact that the work is personal or taken from life, it's not about me telling my personal story.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
To me, as a director and an actor, that's the main thing. "What's the heart of this story? What's the humanity of this story? And if the movie doesn't have it, then why am I watching it?" Even if it's a silly comedy, like Superbad or Knocked Up - Judd Apatow, I love, because he's all about heart. The humor comes out of the humanity.
I joined 'Meru' midstream after my co-director Jimmy Chin had already filmed the 2008 and 2011 climbs.
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