A Quote by Elle Macpherson
I don't like everybody knowing what I'm doing, unless it's related to a movie. I don't like speaking to the press. I never did.
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I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.
With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.
I don't know what would be antithetical to do on the other side, maybe a Tyler Perry movie or something. No, there are very few comedies that live in between that. Or you're doing some kid thing like a Jim Carrey movie with animated something that's like that. Yeah, I've wanted to do them. I like doing them. I did Talk to Me. That was pretty much a comedy.
I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.
He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.
Everybody has a job to do, and you just know that every day you have to do what it takes to get there. Of course, everybody has those days where you don't feel like doing it. I'm just like anybody else in that respect. But there's a difference between not feeling like doing it and not doing it period.
I enjoy doing press for something that I like, and I think the movie is very fun and charming and clever.
I guess everybody is doing a movie thing, so I'm doing the 'Scorpion King 4.' My role in the movie is as one of the king's guards, with a very original name: Roykus. Apparently, back in the day, everybody's name was 'us,' so 'Roy' plus 'us,' and put a little 'k' in there: Roykus. I'm one of the royal guards, and I do my own stunts like Jackie Chan.
Namely, we have no right to believe a thing true because everybody says so unless there are good grounds for believing that some one person at least has the means of knowing what is true, and is speaking the truth so far as he knows it.
Working with Jim Sheridan for instance, we did this movie Brothers. Jim will ask anybody - we'll get a delivery on set, and like the poor delivery guy will be like, "Here's your pizza," and he'll be like, "Come over here. Come here. I want to ask you a question. Do you think this is real? What do you think? Should we do another take?" And they're like, "I, uh, you want your pizza?" There's no shame in everybody's ideas. There's no shame in somebody not knowing.
I never wear heels unless I have to, like if I'm speaking at a panel or going to a reception. I'm always in tennis shoes or flats, and I'm definitely someone who does high-low mixing, like wearing Adidas sandals with blazers.
I've been a runner a long time. When I first got into it, I started doing small triathlons in Chicago, and I just did it to get in shape. When I got out of college, I put on a few pounds like everybody does. I did it when I was in my early 20s, but I never really did any long runs.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
I like the idea of everybody knowing each other; you know why you're doing things.
I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.
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