A Quote by Elsa Hosk
When I was growing up, around 14, it wasn't really cool at the time to have a big butt. I would always cover it with sweaters, and I was so ashamed of it. Now I'm like, 'Why would I ever do that? That's awful!' Don't change yourself, and don't try to be anyone who you're not.
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For my writing, and because I love talking to young women about life, I often asked them which would they rather have - a father in the house with them while growing up or a big butt? I tell you 86 percent of the time, girls say a big butt because it gets them further.
I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.
I think you're always policing yourself by trying to do what you think would be "cool" and accepted by other people, until you start to figure out who you really want to be. Growing up is an ongoing push-and-pull of you being yourself and you performing to what society expects you to be.
I used to hate my butt - like, hate it. In school, I used to cover it up. I felt like it was too big; like, I felt like I needed to wear a sweater over it. It was awful.
Grounding airplanes to cover your butt would never have let Orville or Wilbur change the world. We would still be spending weeks to cross the Atlantic to do business in London.
When I was 14, I almost had a big green leprechaun tattooed on my forearm. Thank God I didn't - it would have been a nightmare to cover up as an actor. I went with a group of mates and, being Irish, thought a leprechaun would be perfect.
When I was growing up, there were a few musicians who would have regular gigs at restaurants, and I always thought it was so cool and unexpected how they would spontaneously perform. Being the ambitious kid that I was, I got into it and really studied it. I was so inspired by it.
If ever anyone comes up to me, it's usually like, 'You look really like that guy on that show.' And you're like, 'Really?' And they're like, 'Yeah. Cool. See you later.' And you're like, 'Cool, man.'
Frazier was not a big man at all. Frazier was about 5'9, but he would make anyone run. Put up your dukes and cover up because he's coming. He never backed up from anyone.
I think it's cool to do a summer outdoor show because, growing up, like, those were always the shows and the concerts that I would get to see, where I would be sitting on the grass with my friends and hanging out, and it was such a moment.
I'd really like to go with you, Agachak. Truly I would...but I just can't." "I don't understand. Why not?" "I'm not allowed to leave home. My mother'd punish me something awful if I did..." "But you're the king." "That doesn't change a thing. I still do what mother says. She tells everybody that I'm the best boy ever when it comes to that." Agachak resisted a powerful urge to change this half-wit into a toad or perhaps a jellyfish.
When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I'd cover stories about other people, and we're always taught never to make the story about yourself.
There's always that part of you, when you're sitting around going, 'That would be cool to try, to see what it would be like.' But I had never had that drive in me to say, 'Oh, I want to be a movie star one day.'
Anyone who's lost someone to cancer will say this, that you have to struggle to try to remember the person before the diagnosis happened, because they really do change - as anyone would change.
It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.
I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."
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