A Quote by Emily Ratajkowski

I signed with an acting agent first; I wasn't really interested in signing with a modeling agent. But that same day, they said, 'You should go over to Ford.' — © Emily Ratajkowski
I signed with an acting agent first; I wasn't really interested in signing with a modeling agent. But that same day, they said, 'You should go over to Ford.'
Social cognitive theory rejects the dichotomous conception of self as agent and self as object. Acting on the environment and acting on oneself entail shifting the perspective of the same agent rather than reifying different selves regulating each other or transforming the self from agent to object
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I fired a bunch of people and kind of went back to my roots. I fired my agent - I had this big, fancy agent and a big fancy manager and a big fancy lawyer - and I went back to my first agent and said, "I want to go back to just being an actor."
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
I did so many acting jobs for nothing. I was in a play that opened on Christmas Eve above a police precinct on 54th Street. Three people showed up. One of them was an agent. It was my first agent.
I talked to my agent and said that, basically, I'm the Taylor Lautner of TV. We both have our shirts off a lot. And we have the same agent, so we goof around about it. I'm waiting to open a script and see my shirt on.
When I first went up to see my editor, I was with my agent, and my editor said, 'Well, what have you been doing all these years?' And my agent said, 'He's been in recovery. From his childhood.'
Dick Moss, my agent. Dick became my agent in 1979 when I signed my contract with the Houston Astros.
Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'
My agent suggested me to EastEnders casting director, Julia Crampsie, who I already knew. I'm delighted that Julia said, He's not old enough is he?' My agent told her how old I really am and she said Oh'!
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
Gravity must be caused by an Agent acting constantly according to certain laws, but whether this Agent be material or immaterial I have left to the consideration of my readers.
I had talked to my agent a lot over the years about not being interested in stereotypical "black films" [because] I didn't like the way they were representing black people over and over and over again in the same way.
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
This site uses cookies to ensure you get the best experience. More info...
Got it!