A Quote by Emir Kusturica

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.
Poem (Lana Turner has collapsed!) Lana Turner has collapsed! I was trotting along and suddenly it started raining and snowing and you said it was hailing but hailing hits you on the head hard so it was really snowing and raining and I was in such a hurry to meet you but the traffic was acting exactly like the sky and suddenly I see a headline LANA TURNER HAS COLLAPSED! there is no snow in Hollywood there is no rain in California I have been to lots of parties and acted perfectly disgraceful but I never actually collapsed oh Lana Turner we love you get up
This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God.
Roman Polanski is a man who cares deeply about his art and its place in this world. What happened to him on his incredible path is filled with tragedy, and most men would have collapsed. Instead, he became a great artist and continues to make great films.
Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.
I think Hollywood is incredibly segregated. I've never seen any place like it. The gatekeepers who are the most progressive activists inspired to make the world better... they're better people, right? They're segregated. It's self segregated in some cases, but there's nobody Black in charge of anything in Hollywood.
As a result of the World War, this old Germany collapsed. It collapsed in its constitution, in its social order, in its economic structure. Its thinking and feeling changed.
I knew very well that I could not stay. Everything collapsed. Everything in my life just collapsed, and it started with the kidnapping of three teenaged settlers and then judging the life - the young Palestinian from Jerusalem. That was the day that I decided that I have to go now.
Then there was the time in Hollywood when I sat down in a breakaway chair and it collapsed on me. I was nearly knocked out and might have been even more seriously hurt but my fall was broken by the smog.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
In fact, most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
I have no interest in changing Hollywood. Hollywood is a place so consumed by the spirit of the world that I don't even want to try to think about how to infiltrate that.
I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.
I think Hollywood's gotten more reactionary and conservative over the years, because there's no longer art in Hollywood. Art suffers in Hollywood.
Hollywood is a special place; a place filled with creative geniuses - actors, screenwriters, directors, sound engineers, computer graphics specialists, lighting experts and so on. Working together, great art happens. But in the end, all artists depend on diverse audiences who can enjoy, be inspired by and support their work.
If you look at the history of how information flows, there was a time that newspapers were kind of in the place that Google and Facebook are now - how do we get more people to buy a copy? Then there was a shift in the early 20th century. They needed to do better, and readers and consumers demanded that of them.
This site uses cookies to ensure you get the best experience. More info...
Got it!