A Quote by Emma Caulfield
I dont know that I want to act 15 years from now. I mean, I love the process of acting, but not the masochism. No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.
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No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.
You never know when the next person to shake your hand at an autograph session, or the next guy you bump into on line at the pizza parlor, that could be your best friend for the rest of your life. Or it could be the person that two years later pushes you out of the way of a speeding bus. I mean, you just don't know.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
No matter how much we know about the other person, there is always something going on in that other heart and that other head that we don't know but can only ponder. And no matter how we explain ourselves to someone else, no matter how open we are, there is always still something inexplicable, something hidden and unknown in us, too.
I think that by now, in the very beginning when I first joined the show, General Landry was like a new kid in school. I was coming into a situation I didn't really know much about, and now, after a couple of years, the character's kind of mellowed and gotten comfortable working at the command center and very comfortable with his troops. What they always do with these shows is they always leave them open-ended. The SG-1 franchise has been so successful for the network, that they always want to keep it open, an option to do it again in some way, whether that's a movie or a series, or whatever.
I'm considered to some degree a successful director working in Hollywood, making films my way but using studio financing. But with almost every single one, I get praised up the wazoo by people who never would have financed the films. It's: "Gee, this movie is so new and different - what do you want to do next?" "This." "Oh, that's too new and different."
We all want to be in love and find that person who is going to love us no matter how our feet smell, no matter how angry we get one day, no matter the things we say that we don't mean.
My dad has been married to his wife for 15 years and wherever he goes there better be a seat for her. I like real couples that tell you how to get through on Wednesdays when you're just at the end of your rope - the ones who really know how to make it through. We have to stop looking at Hollywood couples because you're going to get disappointed.
A lot of artists fail when they try to act, and they flop. So when I get into acting, it's going to be to do it well, something good, something of quality. I want people to say, 'Wow, that movie' - or that show or whatever - 'turned out really well.'
That's the insecurity with our job, because you never know where the next role is coming from. No matter how successful you are, there's always a fear of someone not wanting me to play something else.
People get famous now for I-don't-know-what. People have reality shows because they're a Hollywood socialite, and these things become very successful and they generate a shitload of money for the company. And it's multiplying, to where you're literally looking into your next door neighbor's bathroom with reckless abandon. It is like watching a fire. You can't take your eyes off of it.
All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.
The world is your oyster when you are successful. That was when I was getting scripts. I was planning for this. I like this business. Parts of it I love, and I didn't want it to just end. The further you get away from your success, the less your phone rings. The next thing you know, it's 20 years later and you're in a mall going, "Remember when Al and I used to do something like this.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.
I think I'm a better actor now. I mean, I really think I know a lot about acting now. But I didn't know a lot about acting then, in 80's, and I never knew how to be myself. I never knew how to relax and just play it from me. I was always trying to deliver a line.
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