A Quote by Emmanuel Lubezki
I see an incredible abuse of close-ups in many films these days. Why is that?
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You really don't have a life when you're working. I always think "oh, I'm gonna see everybody on my days off. I'm gonna read so many books and see so many films" and then three months go by.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery.
We live on the most incredible planet, and yet we abuse it, and we abuse it mercilessly.
By the time I was 4 or 5, I was doing 250 push-ups and sit-ups a day. When I was 6, we bumped it up to about 500 push-ups and sit-ups a day. Some days it could even be 750 or 1,000.
What makes Jessica Jones series so unique is that it really is an allegory for many different types of abuse, whether it be sexual abuse, physical abuse, or psychological abuse. That's what makes this such an incredibly bold show.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
But I was never, you know, when I see some kids today who are close to their parents, close to their friends... I think it's simply wonderful. I was not a happy kid. Back in those days, I remember the sick, gray days were better. Because when it was sunny I'd feel worse.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
In films, the camera catches each nuance of expression in close ups. On the stage, it is less subtle, you have to act with your whole body.
The great part of appearing on game shows is that when you answer a question the camera takes a close-up of you every time. You get more close-ups than in a movie, and that's terrific for audience identification. The people have to see you to like you.
If you look at classic Hollywood films, they tend to shoot close-ups on quite long lenses and the background it out of focus. You know, it's just a mush.
In my career, many a times I was not able to be part of many films, and there were many reasons for them. But I don't know why people still talk only about why I didn't do 'Bahubali 1' and '2.'
I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What motivates me is usually abuse of power.
For me, there's far too many close-ups in film. They're a television technique.
I was a sick child, I was scared, and honestly speaking, I never thought about why I didn't tell anyone about my abuse. Abuse victims don't have all the answers, and I never thought it was abuse. My generation was totally different. Now a small child knows many things, much more than what we knew. When I understood it was not right, it was much later.
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