A Quote by Ennio Morricone

I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all.
I do miss the idea of the crew getting together to watch dailies after work. I will usually get selected dailies printed on film especially for the early part of a shoot as HD dailies really don't tell me much photographically.
I don't watch the dailies. You want to just turn in your resignation when you watch the dailies.
My dad told me, 'Your movie's never as good as the dailies and never as bad as the rough cut.
Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.
A disk unbeknownst to the director can go to the producer in another city or in another office and that producer can edit behind the director's back much easier than in the old days. Since these dailies are now put on videotape, more kinds of people have access to dailies.
I cannot watch my own dailies, ever. I'm my worst critic. It distracts me. I can watch it when it's done, but I'm not the girl that wants to run back and look at the performance.
I don't look at rushes, or I don't go to the dailies. I don't even really look at playback unless it's an action scene or a move that I need to do better, something like that.
I don't look at rushes, or I don't go to the dailies. I don't even really look at playback... unless it's an action scene or a move that I need to do better, something like that.
I'll tell you one thing. I've never heard a director saying that the dailies suck.
And then my editor really likes that because he's left alone to do what...to create those things instead of me breathing over his shoulder and I like it because I don't have to sit in the editing room all day. I get to watch just dailies.
I don't watch dailies. I don't pretend not to read reviews, I just don't. I wait for it to come on the air, just like everybody else.
I got my dailies every day, although I couldn't always look at them because I was usually preparing for the next day's shoot, both as an actress and as the director.
When I first see the dailies, I look only at myself, but then you start to see the scene.
I don't like to watch dailies or video playback unless I have to.
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
I have a choice - I can either watch all the dailies, or I can follow the social media. I can't do both.
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