A Quote by Eric Andre

'The Simpsons' is like Charlie Parker or Marlon Brando or Richard Pryor: Comedy couldn't go back to the way it was after 'The Simpsons' came out. — © Eric Andre
'The Simpsons' is like Charlie Parker or Marlon Brando or Richard Pryor: Comedy couldn't go back to the way it was after 'The Simpsons' came out.
There's only going be one Richard Pryor. You know how many came out after Richard Pryor and died trying to be compared to him? Or Bernie Mac? You got to be like you.
Anybody in animation today would be lying if they said they weren't somehow influenced by 'The Simpsons' to a certain degree. Except for the shows that go out of their way to look as far from 'The Simpsons' as possible.
Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.
I simply adore 'The Simpsons.' I go to bed in a 'Simpsons' T-shirt.
Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.
Like everyone is either, "I grew up with it," or "I loved it," or loved them now. And when you watch The Muppet Movie now, it is so current. It's like The Simpsons before The Simpsons. It's not as cynical as The Simpsons would be but it's self-aware and there are a billion jokes, it breaks the fourth wall every five minutes, it's astounding, it's awesome. It's very exciting to be a part of that.
I don't like that The Simpsons are spokespeople for Burger King and MasterCard and Butterfinger. In the first Gulf War, I was really upset that the Simpsons characters were being drawn on tanks and bombs. But those are things that I don't control.
When it moved to Friday night it disappeared, when they find another show that can do what The Simpsons does, they will be delighted to do cancel The Simpsons.
There's not a fortune to be made doing voiceover work unless you're one of the main voices on "The Simpsons". See, there's "The Simpsons", and then there's everything else.
There's not a fortune to be made doing voiceover work unless you're one of the main voices on The Simpsons. See, there's The Simpsons, and then there's everything else.
'The Simpsons' appearances were great fun. But I don't take them too seriously. I think 'The Simpsons' have treated my disability responsibly.
Bill Cosby spoke out against The Simpsons and there was this kind of evangelical, right-wing sect that was against The Simpsons. Fox was a new network at the time, though, so they were going to take risks.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
'The Simpsons' money got bigger and bigger. When I left 'The Simpsons', no one thought that this thing was going to still be around. It's the cumulative effect. It's like, 'Oh my God, 25 years later, and it's still coming in.'
For a long while, I found Parker impossible. He went away for 23 years. I tried to bring him back a few times, and I sort of figured out where he came from, why he went away, and why he came back. The thing that I have to tap into for Parker is in some way the outsider. If I can tap into the outsider, I can write about Parker, and if I can't, I can't.
I know there are other Elton Simpsons out there. But I also know there are Elton Simpsons out there I cannot see.
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