A Quote by Eric Hobsbawm

The imagined community of millions seems more real as a team of eleven named people. — © Eric Hobsbawm
The imagined community of millions seems more real as a team of eleven named people.
I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.
The secret is to work less as individuals and more as a team. As a coach, I play not my eleven best, but my best eleven.
All nations are imagined communities, and our imagined community is based on a uniquely inspiring set of principles. Americans have proved that they can be loyal to, and will fight on behalf of, a more complex, more cerebral national ideal, one derived from ideas of democracy and justice as opposed to blood and soil.
It's a real accomplishment for me, personally, to be named to the All-Star team.
We're hallucinating. And that's what this world is: a mass hallucination, where fear seems more real than love. Fear is an illusion. Our craziness, paranoia, anxiety and trauma are literally all imagined.
It's a funny thing, 'The Office,' because millions and millions and millions and millions of people didn't watch it. But culturally, it is more of a phenomenon than almost anything else I can remember as far as British television is concerned.
The 2002 (Olympic) team was a great team, we won the gold medal, they deserved all the accolades that they got. But this team seems to have a little more depth and maybe a little more talent to pick from. So it makes the job of picking the right 23 guys even more difficult.
The relationship between the imagined and the real is more complicated than people imagine.
If I may make a football analogy, we're a team whether we're a football team or community or the United States of America. We are part of a team and I believe the people on that team have a right, but they also have the obligation if there is something that is not good or we don't agree on, to speak about it.
If you read about millions of people doing this and millions of people doing that, history seems remote and inaccessible.
Since Hollywood seems to be more interested in people wearing tights and using powers, there seems to be a fertile ground for movies about real human beings.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
It seems that in connecting to what is true within myself, I help other people to connect. Making genuine connection lies at the beginning of building a real community.
Who talks about the real human rights violations, those committed by the West? Europeans and North Americans have already butchered hundreds of millions of people, or close to one billion, to be precise. They have been looting, torturing and raping. Even now, they are killing millions directly and tens of millions indirectly.
One thing I'm grateful for, and also surprised and excited about, is that I have a place in the community of comics now. In a real way. And I honor that. A lot of what I do is in support of the community and bringing new talent - talking to people that people don't know. And defining us as a community.
If you've been in a film that's seen by millions and millions and millions of people, you're more likely to be recognized for that than for your theater performances, which were seen by considerably less people. Why would I get upset by that?
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