A Quote by Erich Fromm

[Sigmund ] Freud did not under-stand that the dream is a highly creative act, written in the universal language of symbolism, and only secondarily does censorship distort those parts that the subject refuses to accept even in sleep.
Everybody dreams, but memory for dreams is famously elusive. Even Sigmund Freud, without the benefit of modern technology's electroencephalogram, or EEG, did not know that adult humans dream 90 minutes per night, and that newborns spend eight hours per day dreaming (out of their 16 hours of sleep). REM sleep helps grow the brain!
Sigmund Freud said we act out our own dreams, but if you are only an actor you are not acting out your own dream. You are simply participating in someone else's dream.
Sigmund Freud was a half baked Viennese quack. Our literature, culture, and the films of Woody Allen would be better today if Freud had never written a word.
According to me [Sigmund ] Freud did not notice that the dream expresses the inner experiences in a symbolic form,resembling in that, poetry or other art forms.
It's an essay that Sigmund Freud wrote about E.T.A. Hoffman's short story called "The Sandman" where someone mistakes an inanimate object for a living, breathing human being. And one of the things that Sigmund Freud really felt was that in modern life people assign qualities to objects around them that may not exist there whatsoever.
A major contributor to the present-day tendency to accept and encourage homosexuality is Dr. Sigmund Freud.
Do the structures of language and the structures of reality (by which I mean what actually happens) move along parallel lines? Does reality essentially remain outside language, separate, obdurate, alien, not susceptible to description? Is an accurate and vital correspondence between what is and our perception of it impossible? Or is it that we are obliged to use language only in order to obscure and distort reality -- to distort what happens -- because we fear it?
[Sigmund ] Freud assumes that every dream represents the satisfaction of adesire and in the last analysis, of a sexual desire that has its roots in infancy.
Sigmund Freud was very much a creature of his time. He did not 'invent' the unconscious.
As Dr. Sigmund Freud has observed, it can not even be said that the State has ever shown any disposition to suppress crime, but only to safeguard its own monopoly of crime.
Sigmund Freud makes people irritable. Whenever someone mentions Freud, say, at a dinner party, I see eyes roll and listen to the nasty remarks that follow.
[Sigmund Freud] makes the interpretation of dreams extremely simple: it deals in substance with discovering what unconscious desires, distorted but recognizable, are hid-den in the dream. Instead, for me the dream is a mixture of thoughts and sensations that man has when he is asleep, a mental state relatively protected from the constant noise that society makes.
For [Sigmund ] Freud, the manifest dream, that is that which we remember after waking,is like a code message, that can be interpreted, provided the right key is avail-able, for example the method of free association.
So the first thing to be remembered: don't confine creativity to anything in particular. A man is creative - and if he is creative, whatsoever he does, even if he walks, you can see in his walking there is creativity. Even if he sits silently and does nothing, even non-doing will be a creative act. Buddha sitting under the Bodhi Tree doing nothing is the greatest creator the world has ever known.
The idea that boys want to sleep with their mothers strikes most men as the silliest thing they have ever heard. Obviously, it did not seem so to Freud, who wrote that as a boy he once had an erotic reaction to watching his mother dressing. But Freud had a wet-nurse, and may not have experienced the early intimacy that would have tipped off his perceptual system that Mrs. Freud was his mother. The Westermarck theory has out-Freuded Freud.
The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
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