A Quote by Erik Wiegand
When I play live, it doesn't look like I'm interacting with the crowd that much because I'm looking at the controllers and I'm concentrating, but I really like it, for me it's easier to play live than to work in the studio, it's more natural to be on stage improvising.
Related Quotes
Our dad was always like, 'Look, if you're musical, if you live and breathe music and want to play an instrument, that's not something that's on me to put on you. If you're passionate, you will come to my studio every day after school and watch me work because you can't live without it.
I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.
Once the day is over in volleyball, I leave the court and no one sees or hears from me for the rest of the day. I like to keep work at work. It's pretty easy for me to live a pretty normal life. I like to coach and I like to sit in a crowd at a baseball game. No one really recognizes me unless I'm walking around a beach half-naked in a suit with my name on it. Of course, I have it easier than Kerri. When you're 6-3 you tend to stick out a little bit.
A stage play is beautiful only when it is seen as a stage play, just like you cannot get the same effect of a live Bharatanatyam performance in a recording.
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.
When you're out on the touchline, like a winger, it is easier to play. You see everything: the mess, the crowd, the activity is all inside. When you play inside, you don't see anything in there because so much is happening in such a small space and all around you.
I think that live music is really pretentious - all of it. I hate festivals and live shows, because as soon as I get on stage, I start performing for people and it becomes about sex, banter, and skill. They're looking at me and not thinking about themselves. I'm thinking about how cool I look. It's just stupid - all live music is really stupid. I wouldn't encourage going to see anybody live, ever. Not even me.
I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
I don't really like to play live. I don't like to be on stage. I feel very self-conscious.
I'm not to eager to play tennis in my spare time. I'm more interested in doing gym work and stuff like that. We have a lot of schools and courts around where I live, so if I really want to play, I don't need to go too far.
I'm not to eager to play tennis in my spare time. I'm more interested in doing gym work and stuff like that. We have a lot of schools and courts around where I live, so if I really want to play I don't need to go too far.
When you're super passionate about something, you're more willing to do all of the grunt work. You know, like, I'm so willing to live on a bus for my whole life because that means I get that one moment on stage or that one moment in the studio that totally fills me.
I think there's an attitude these days that you can go straight from a studio to the stage, and it isn't really like that. But playing live was the most important thing for me at the start because whenever I recorded something, it didn't sound right; I didn't like how my voice sounded. It was just raw.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
There is something about live albums that I enjoy so much more than studio albums from all of my favorite artists. When I am listening to them live, I get to connect so much more to their truth than in studio albums.
