A Quote by Erin Heatherton

I modeled for 4 years before I felt like I had my big break. — © Erin Heatherton
I modeled for 4 years before I felt like I had my big break.
I felt ten years old and a thousand years old, but I didn't know how to be my own age. I had never felt that way before, but now I feel like that a lot.
Before I modeled, I never thought I was beautiful. Even right now, I don't think I'm beautiful. I think it's my personality that makes my beauty different and unique. If you look in the past, Chinese people have always considered things like big eyes, pointy nose, or big lips beautiful. I had the same thoughts as a child watching movies.
There have been times where I have definitely felt like I was a john. As a pin-up photographer for ten years, when I was photographing men and women, to be honest, sometimes I felt like I was a john, especially when I was shooting guys because they - you know - they had to have big erections in the photos.
I've been asked, 'What was your big break?' I don't feel like I've had a big break. It's been a slow, slow break.
'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song.
Even when we were at that point when we had very few fans, we never felt like a small band. We always felt like we had a big purpose.
In my 39 years on this earth, the Holy city of Makka had been the first time I had ever stood before the Creator of all and felt like a complete human being
My dad is 20 years older than my mom. Growing up, I felt like he knew everything. I felt like, for every question I had, he had an answer.
I had a taste of a championship in San Antonio, and that was big for me. I cried when we won, and I hadn't cried in 10 years before that. It felt good, everything I'd been through, to say I was the champion at the end of the year.
I have to say that in 1981, making those decisions, I felt like I was providing enough freedom for 10 years. That is, a move from 64k to 640k felt like something that would last a great deal of time. Well, it didn't - it took about only 6 years before people started to see that as a real problem.
Then I felt something inside me break and music began to pour out into the quiet. My fingers danced; intricate and quick they spun something gossamer and tremulous into the circle of light our fire had made. The music moved like a spiderweb stirred by a gentle breath, it changed like a leaf twisting as it falls to the ground, and it felt like three years Waterside in Tarbean, with a hollowness inside you and hands that ached from the bitter cold.
I've never felt limited by my circumstances, no matter what they were. Even when I was living in Iowa, it wasn't like I had big dreams, but it wasn't that I felt I couldn't have any. I always felt very capable.
On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
I’ve always said to my agents and stuff, like, it’s going to be 10 years before people forget about Twilight, And that’s totally understandable. Normally people keep working and working until their big break. You just keep trying to make the best of your decisions. Like I try to think how I used to think before all the Twilight movies.
For two hours I'd felt myself stretching tighter and tighter, like a rubber band pulled to the point of snapping. And now, I could feel the smaller, weaker part of myself beginning to fray, tiny bits giving way before the big break.
I remember when I was - I must've been 17 or 18 years old - I remember 'The Empire Strikes Back' had a big cliffhanger ending, and it was, like, three years before the next one came out.
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