A Quote by Erin O'Connor

With high fashion, it's a performance. You're trying to interpret a fantasy in a very physical way, and you really are playing a character. I've played men, dead people, famous people, historical icons, and it's no mean feat. It's quite an insular experience even though the crowd is in front of you and there's an expectation.
Fashion icons that are famous in Paris, it's Charlotte Gainsbourg or even me on the Internet, but we wear the same clothes every day - a white t-shirt with jeans - so why are we fashion icons?
In 'Waiting for Guffman,' the character I played, the Corky character, he's very serious about what he does, and it's not meant to be mean that this is a small town and these people aren't the most talented people. They're trying the best they can. So to be mean, that would be kind of horrifying in its superficiality.
What we're really trying to tell, even though it's very much a genre show, is a very human story. Even in this heightened situation, it still comes down to people being people, and dealing with people as people. It really is about the seven people in that town.
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
It is true that one was not allowed at the time to really ask, what would lead people to do this, from what sense of political outrage or injury? And in that way, the possibility of sympathetic identification was foreclosed. That does not mean that some people took quiet pleasure in certain icons of US capitalism coming down, even though they would oppose such action on moral and political grounds.
A sober, devout man will interpret 'God's will' soberly and devoutly. A fanatic, with bloodshot mind, will interpret 'God's will' fanatically. Men of extreme, illogical views will interpret 'God's will' in eccentric fashion. Kindly, charitable, generous men will interpret 'God's will' according to their character.
I've noticed though that people will always assume you are the character you last played. I guess it's a compliment to playing your character convincingly.
I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.
When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
In my early days, fashion was considered a very high risk industry. The failure rate is very high. Trying to get capital and trying to find people who specialize in that industry is very difficult too.
I had an expectation going into the NFL, and then the experience that I had exceeded what I expected to see from people that played at that level. And so, it was a learning experience not only from a mental standpoint and a physical standpoint, but just a routine standpoint.
I played quarterback, and it was a leadership position, and even though I'm doing a solo thing now, a lot of my success is a part of assembling this team of people who are really, really talented, and their position doesn't put them out front the way mine does, but it's still a team effort.
Even though I love fashion, I prefer people to fashion. Fashion is to make the person comfortable in her body, it?s not something very serious, you get to play.
People will say to me, ‘You’ve played so many strong women,’ and I’ll say, ‘Have you ever said to a man, “You’ve played so many strong men?”’ No! Because the expectation is [men] are varied. Why can’t we have that expectation about women?
There's that stigma about New Yorkers, how they're so mean, but in my experience it was quite the opposite. People were very genuine and very nice, even on the subway.
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