A Quote by Errol Morris
People think in narratives - in beginnings, middles and ends. The danger when you edit something too severely is that it no longer makes sense; worse still, it leaves people with the disquieting impression that something is being hidden.
Related Quotes
I like it when actors get an opportunity to chew into something. They love scenes with beginnings, middles, and ends - scenes that give an arc to their characters and allow audiences to get to know these people.
I can't imagine something worse than scripts being written into a tunnel, thinking, 'I don't know when this ends. I don't know.' It usually ends when people get sick of it, but I think it's great when it gets to end on its own terms.
Narration is as much a part of human nature as breath and the circulation of the blood.... storytelling is intrinsic to biological time, which we cannot escape. Life, Pascal said, is like living in a prison from which every day fellow prisoners are taken away to be executed. We are all, like Scheherazade, under sentence of death, and we all think of our lives as narratives, with beginnings, middles and ends.
You're searching...
For things that don't exist; I mean beginnings.
Ends and beginnings - there are no such things.
There are only middles.
Ends and beginnings?there are no such things. There are only middles.
I like to tell stories that have beginnings, middles and ends.
Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.
A society that's addicted to narratives with beginnings, middles, and endings will eventually yearn to end. We just want it to end.
I think growing up in Santa Fe or Northern New Mexico in general instills a sense of humor in people, a sort of easygoing sense of not taking yourself too seriously, while still being very proud of where you come from, and that's something we all share.
Human beings love stories because they safely show us beginnings, middles and ends.
I think a lot of people want stories or lives to have very distinct beginnings, middles, and endings. Generally, I think things are a little more fluid than that.
I think too many people edit themselves way too soon. There's plenty of time to edit, and it is a crucial part of it all, too.
My career is like an artichoke. People might think that the leaves are tasty and buttered up and delicious, and they don't even know that there's something magical hidden at the base of it. There's a whole other side of me that people didn't know existed.
I appreciate all the people I've met through curling. It's been woven through the story of my life. But that win-at-all-costs attitude is, thankfully, no longer there. Still, when I step on the ice, something goes through my veins. It's showtime. When you've spent over 40 years chasing something, it never leaves you.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered.
It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
I think one of the traps of theater - what makes it so amazing is that it's not able to be mass-produced, but it also makes it hard to get work seen by people because if you're a creator, you do a cabaret or something, and maybe 100 people will see it and then it ends the night that you close it.
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