A Quote by Errol Morris

You can think of my films as cautionary tales, but you might even think of them as despairing tales, because at least in a cautionary tale, you have this idea that by listening to the story you can assure a better outcome. Whereas I'm not at all convinced that's the case. In fact, if anything, I'm convinced that it's the opposite.
I've been with the project for like three years: creating it, pushing it. [There] becomes a certain doubt when you're pitching this story to people. ["The Land" is] a cautionary tale. It's not the brightest or best ending to a film when you're telling a cautionary tale about four kids, kids who are killing each other, kids who are products of the streets.
People have been modeling their lives after films for years, but the medium is somehow unsuited to moral lessons, cautionary tales or polemics of any kind.
Cautionary tales were fantastic in the '70s.
While Fledging is a different type of book, The Parable series serve as cautionary tales. I wrote the Parable books because of the direction of the country. You can call it save the world fiction, but it clearly doesn't save anything.
A parent who from his own childhood experience is convinced of the value of fairy tales will have no difficulty in answering his child's questions; but an adult who thinks these tales are only a bunch of lies had better not try telling them; he won't be able to related them in a way which would enrich the child's life.
After an 18-year career, I left the film industry, not wanting to become one of those child-actor cautionary tales.
The greatest sci-fis, in my mind, are two things: They're what-ifs - what if this happened, and you get to see it - but they're also these philosophical cautionary tales. They deal with the underlying themes beneath the what-if.
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
And the people listened, and their faces were quiet with listening. The story tellers, gathering attention into their tales, spoke in great rhythms, spoke in great words because the tales were great, and the listeners became great through them.
I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.
From the time we're born, our brothers and sisters are our collaborators and coconspirators, our role models and our cautionary tales.
Fairytales were never really meant for children; they were meant as cautionary tales for teenagers on the verge of growing up.
Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs.
Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
[Frida Farell] also wanted the film to serve as a cautionary tale for young women - to say, "Be careful when an attractive man asks you to go to a casting or a photo shoot, because it might be a demon in disguise."
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