A Quote by Errol Morris
I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.
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I'm one simple way I think I've succeeded was capturing Elsa [Dorfman]. There's something about Elsa, her personality, and her work that I believe is there.
[Elsa Dorfman]was well known. Certainly in the Boston area, she's well known as a portrait photographer. My wife always wanted to meet her and then there was some benefit where she was taking pictures.
It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.
Contradiction is the heart and soul of character and drama. You're always looking for it. I loved her so much I hit her; that's character. I loved her so much I hit her again; that's even more character.
He loved her for being so beautiful, and he hated her for it. He loved how she put shiny stuff on her lips for him, and he also reviled her for it. He wanted her to walk home alone, and he wanted to run after her and grab her up before she could take another step.
She had sacrificed her childhood to save her brothers; she loved her family above all else, and her spirits yearned to return home once more, to the wild forest and the land of mystic tales and ancient spirits whence he had taken her. That was the place of her heart, and if he loved her, he must let her go.
I loved being on the other side of the camera. I loved watching another actress in the spotlight, do an extraordinary job, and I loved making her beautiful and interesting, protecting her emotions, and showing people her talent.
She was my wife and I love her & loved her beyond imagination but I also respected her art, the passion and dedication with which she committed herself to her work.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
He loved her, he loved her, and until he'd loved her she had never minded being alone.
Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
Before I discovered the concept of the 5 love languages, a bit of advice I was given was to become a student of my wife and to take time to learn what makes her feel loved. I soon learned that what makes her feel loved may not always be the thing I want to do because it may not come natural to me. But learning to love her in the way that makes her feel loved is a greater demonstration of my love for her, because I've chosen to do it with a goal of pleasing her.
I was a fan of Meghan's before she met our gorgeous Prince Harry. I loved her in Suits,' I admired her work ethic and her charity work, and I think she is such a breath of fresh air.
And yet he had loved her. A Bookish girl heedless of her beauty, unconscious of her effect. She'd been prepared to live her life alone but from the moment he'd known her he'd needed her.
[On her mother:] My relationship with her is close, painful, and skaky, and I always have to keep searching for a sign of love. Everything I do, I do to please her, to make her smile, to ward off her fury. This work is extremely exhausting.
I'm in shock. Whitney was such an amazing artist. When I started my English career, I wanted to be like her. I loved her so much. My prayers go out to her daughter and to all of her family.
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