A Quote by Errol Morris

Photographs can reveal something to us, and they can also conceal things. — © Errol Morris
Photographs can reveal something to us, and they can also conceal things.
The chance that any given sentence is a lie, rather than a truth, I think, is fairly great. An intentional lie, a self-deception, a misconception - there are lots of categories of untruth, not one grab bag. And hotographs can reveal something to us, and they can also conceal things.
I believe in the resonance and staying power of quiet photographs. These photographs required a certain seeing, but few special techniques, and no tricks. Something though was hard. It was hard being between photographs and not knowing when or how another image would reveal itself.
Liquor is the kiss of the angels as well as the curse of the devil. It can conceal but also can reveal
Photographs don't 'reveal' much at all but instead help us generate a kind of visual vocabulary that we can use to make sense of the world and direct our attention to certain things around us. In other words, they help us learn how to see.
Dramatically it's always more interesting to conceal rather than reveal things.
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
Surfaces simultaneously reveal and conceal.
Reveal art; conceal the artist.
The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.
All schools, all colleges, have two great functions: to confer, and to conceal, valuable knowledge. The theological knowledge which they conceal cannot justly be regarded as less valuable than that which they reveal. That is, when a man is buying a basket of strawberries it can profit him to know that the bottom half of it is rotten.
[Cindy Sherman's] photographs reverse the terms of art and autobiography. They use art not to reveal the artist's true self but to show the self as an imaginary construct. There is no real Cindy Sherman in these photographs; there are only the guises she assumes. And she does not create these guises; she simply chooses them in the way that any of us do.
The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim.
I don't consider [my] photographs fashion photographs. The photographs were for fashion, but at the same time they had an ulterior motive, something more to do with the world in general.
The first step towards vice is to shroud innocent actions in mystery, and whoever likes to conceal something sooner or later has reason to conceal it.
Shadow conceals—light reveals. To know what to reveal and what to conceal, and in what degrees to do this, is all there is to art.
You know, it is not God's desire to conceal but to reveal. The word revelation means "unveiling."
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