A Quote by Errol Morris
A lot of stories that have fascinated me are tabloid stories that have come from other newspapers, like 'The New York Times.'
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Recently it's become much to my surprise, something that does happen. For example, I used to get almost all of my stories, and it's probably still true, from newspapers. Primarily from The New York Times. No one ever really thinks of The New York Times as a tabloid newspaper and it isn't a tabloid newspaper. But there is a tabloid newspaper within The New York Times very, very often.
First of all, tabloid stories are some of the richest and most important stories that we have. There's nothing wrong, per se, with tabloid stories.
A lot of the themes of my movies, the actual stories, come from tabloid stories.
I'm fascinated with old stories that you can read in newspapers that seem like catastrophe movies.
Just because life is hard, and always ends in a bad way, doesn't mean that all stories have to, even if that's what they tell us in school and in the New York Times Review. In fact, it's a good thing that stories are as different as we are, one from another.
The stories that are most unfamiliar, the ones that seem to come out of the blue about people that aren't well known, usually come from producers that have really done a lot of homework and looked around. Other stories come from the correspondents.
My being Indian is possibly the biggest thing that influences my stories. Not just in terms of settings - most of the settings in my stories are Indian - but also in terms of characters and plot. I think growing up in India grew my imagination in certain ways that would not have happened in any other place. I'm also fascinated by the idea of India, and writing stories allows me to explore this. As for thematic elements, they are probably pretty obvious in my stories. I also hope that my stories bust stereotypes at least to a modest extent.
These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.
You're always going to have more traffic if you're a free website. But we've always admitted that the New York Times was behind other news organizations in making our stories available to people on the web. BuzzFeed and the Huffington Post are much better than we are at that, and I envy them for this. But I think the trick for the New York Times is to stick to what we are. That doesn't mean: Don't change. But I don't want to be BuzzFeed. If we tried to be what they are, we would lose.
If you can't write like New York, you have no business living in New York and making New York the locale of your stories.
You meet a lot of people in New York who are different than you and have different stories, so I see everyone as super individual. I feel like I can be infinitely inspired because New York is huge.
You have to see the stories [The New York Times] have written, it's one after another, after another, and facts mean nothing, third-rate journalism. The great editors of the past from the New York Times and others, ladies and gentlemen, are spinning in their grave.
In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.
A lot of the stories I write about have an element of mystery. They're crime stories or conspiracy stories or quests. They do have built into them revelations and twists. But the revelations, to me, come from seeing history as it's unfolding, or life as it's unfolding.
I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.
The New York Times has had fake stories. CBS has had fake stories. And now Newsweek had a fake story. You realize the only one that hasn't had to print a retraction is the National Inquirer
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