A Quote by Errol Morris

I feel as if I became a documentary film-maker only because I had writer's block for four decades. There's no other good reason. — © Errol Morris
I feel as if I became a documentary film-maker only because I had writer's block for four decades. There's no other good reason.
I was a documentary film-maker for 26 years before I became a full time actor.
There's a documentary film-maker called Werner Herzog, who's a German film-maker. I really dig his stuff, I'd love to chat with him.
To the documentary director the appearance of things and people is only superficial. It is the meaning behind the thing and the significance underlying the person that occupy his attention... Documentary approach to cinema differs from that of story-film not in its disregard for craftsman-ship, but in the purpose to which that craftsmanship is put. Documentary is a trade just as carpentry or pot-making. The pot-maker makes pots, and the documentarian documentaries.
I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.
I really didn't want to be boxed into becoming a certain kind of film-maker - becoming the Maori story film-maker because I had made those short films.
It's a funny thing with documentary films - you want them to feel as entertaining and as gripping as a fictional film. With a fictional film you want it to feel as realistic as a documentary film.
Don't be discouraged by writer's block. Writer's block just means you need to listen to other music.
People feel that I became an actor because I am from a film family and that my parents were actors. But actually, the only reason I wanted to become an actor was to get away from studies.
I never intended to be a documentary filmmaker. I think I became a documentary filmmaker because I had trouble writing, and I had trouble finishing things.
If I've got Writer's Block it generally means that I don't have that much to say or something's not quite connecting. I have had Writer's Block a bunch of times and it's generally because I'm not able to write down what I'm feeling basically. Mostly, I just need to be alone really, or be with someone who can bring that out of me.
When I'm not singing, I'm a lot of persons: I'm a producer. I'm a badminton player. I'm a writer. I'm a movie freak. I'm a documentary maker.
'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
My experience I consider an accident in the Hollywood system. I don't believe it should be a reference for a black film maker, or an example for any young film maker, because it's purely luck.
I share with a lot of people who have seen The Green film at gay film festivals when you are the only gay guy on the block, you feel this responsibility to be this ambassador. You spend a lot of time making sure that other people feel comfortable with you. The perception that we project on that community, that gets in the way of a clear line of communication.
Some people talk of writer's block - you got all of these ideas but nothing happens. The truth is, there's no such thing as writer's block. It's to the degree that you want to write. The thing is that these things show up whenever they feel like it.
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