A Quote by Estella Warren

I wanted to build up a little nest egg and go back to L.A. and choose roles that I wanted to do instead of roles that I had to do to pay the bills. — © Estella Warren
I wanted to build up a little nest egg and go back to L.A. and choose roles that I wanted to do instead of roles that I had to do to pay the bills.
I don't choose roles. I go where I'm wanted.
Balancing is hard. I've lost roles that I really wanted because I had set up a tour. I cancelled tours to do roles before. But I have to find the time to make that up to my audience. I made a commitment to them.
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
Everything I've done was above board, as an actor I wanted to do two things. I wanted to entertain as well as get a message across. I never did no pimp roles, no negative roles, or anything like that. I had fun, everything I've done I'm proud to take my mother to.
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
Coming out of 'Spy Kids,' I immediately wanted to do more grown-up roles, and I was turning down a lot of the kind of younger, cheesier roles.
With my career in general, I feel like I'm finally getting to do the roles that I've always wanted to do. It's a slow build; you can't ever get the roles that you want in the beginning of your career because you don't have the buzz or the heat, or whatever the hell it is you need for the agents and the studios to be happy.
My policies are based not on some economics theory, but on things I and millions like me were brought up with: an honest day's work for an honest day's pay; live within your means; put by a nest egg for a rainy day; pay your bills on time; support the police.
What I have wanted to do is take roles that are unexpected for people who look like me. Roles that the establishment would say, 'Oh, she couldn't possibly be that.'
I had to work out where I was going, what type of films I wanted to make. For that reason, I decided to choose independent productions, less important roles, and I tried theater, too.
After 'Champion,' I got like 20,000 psychopath roles! And they wanted me to strip and show my body in every film. But I have tried to balance my roles.
I could play Arab roles, even German roles, Italian roles because I had that look.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
After 'Dor,' viewers showed the confidence that I could play serious roles too and so I was offered roles in films like 'Eight By Ten' and 'Wanted' and many other big movies.
That transition from child to adult actor is so incredibly elusive. The roles that were coming to me as a young adult were not that great, but I was taking them anyway to pay the rent. And the more bad roles in bad movies I took, the less anybody wanted me for a good role in a good movie.
We've figured out our roles: I wanted someone to take care of the male roles - the big stuff - and Laird [Hamilton] does that very well. I'm here to be the mom and make it better for him, and that's my choice.
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