A Quote by Estelle

I always thought that if record companies didn't understand me, fine - I'd go and do it by myself. — © Estelle
I always thought that if record companies didn't understand me, fine - I'd go and do it by myself.
'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies - they said they didn't get me, which is fine, I suppose.
I mean, all the record companies said no, you know, say 10 record companies, whatever. But one said yes, and it took only one to make The Go-Go's happened.
'Too big to fail' is fine for restaurant chains. If Denny's fails, it's fine for this economy. You can always go down to the TGIFs. But that's not the same for large-scale investment companies.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
I think bands will actually make more money without record companies; a much bigger share of the money will go to the bands. You won't have record shops taking 40 percent of the money. You won't have record labels taking 40 percent of the money. So they don't have to sell as many albums as they used to in the past. So it's not necessarily a bad thing if record companies disappear.
There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.
I always thought my father [influenced me most] because he was so well read, I tried to model myself on him, but really as I go through life I realise it was my mother who gave me the most valuable instructions. I didn't understand or accept it at the time. She taught me to read and to pray - two things that have really stayed with me.
Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.
The record companies don't give you a chance, like in the old days when they went, 'Here's a pile of money. Go make a good record!'
When I was starting out with record companies, there was a tendency to simplify the image as a prodigy. I have more than one adjective, and I've always tried to be myself and listen to my instincts.
It's important for me to be respected and to be thought of as authentic and true to myself. So even if country music won't play my music, I'm not gonna go and record a party song or a truck song just to try to get spins. I have to be authentic to myself.
I don't think of myself as a feminist, but if someone calls me a feminist icon, that's fine. I've always stood up for women and myself in general. I have a great love and respect, because I have had beautiful sisters, aunts and my grandmas, but I love men. I totally understand the nature of men.
The world always looks straights ahead; as for me, I turn my gaze inward, I fix it there and keep it busy. Everyone looks in front of him: as for me, I look inside me: I have no business but with myself; I continually observe myself, I take stock of myself, I taste myself. Others...they always go forward; as for me, I roll about in myself.
I thought I'd be wasting my time to go to commercial record companies and make demos for them, because don't forget, I was doing what I was doing and nobody understood what I was doing.
I understand quarterly billing, how the record companies run.
People will occasionally ask me if I understand what it's like to be lonely. And the truth is I don't, because for me, solitariness is a blessing, a gift. Me, I get on fine with myself.
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