A Quote by Esther Dyson

Cyberspace still exists at the pleasure of the real world. — © Esther Dyson
Cyberspace still exists at the pleasure of the real world.
Cyberspace is colonising what we used to think of as the real world. I think that our grandchildren will probably regard the distinction we make between what we call the real world and what they think of as simply the world as the quaintest and most incomprehensible thing about us.
For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?
If you're building a fantasy world that exists outside of the rules of our real world, why would you write it to conform to the rules and binaries that we have today? Why still limit yourself?
I want to create something that doesn't exist exactly in the real world, but exists in a kind of parallel to the real world.
The benefit of having a story that takes place in the real world is that you don't have to invent the real world. It exists.
I removed 'cyberspace' from my vernacular. The idea, which I grew up with, of going into a place separate from the real world, is something my students just don't recognise.
Education is important because, first of all, people need to know that discrimination still exists. It is still real in the workplace, and we should not take that for granted.
Cyberspace as a mode of being will never go away. We live in cyberspace.
In cyberspace, we get many fewer cues about the emotional states and attitudes of the people we're talking to. That makes it less interesting, easier to mis-communicate, and more likely to destroy trust. So you need to treat cyberspace with care, especially being aware of the fragile nature of trust in the virtual world.
Being in that other world of media, TV, Hollywood, it's not a real world. For me going back to work, it was a pleasure to get back to the world I knew. That's the real world. That's normal for me.
Everything will come true in cyberspace. That's the whole idea. What cyberspace is, on one level, it's simply the human imagination vivified, hardwired.
Actors are real. It's a real skill, and it exists, and talent really exists.
Everything that exists is information, and everything that is informative also exists. The infosphere is not a virtual space that is distinct from the real world. Rather, the world itself is increasingly being considered an information space and part of the infosphere.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
We have no knowledge, that is, no general principles drawn from the contemplation of particular facts, but what has been built up by pleasure, and exists in us by pleasure alone. The Man of Science, the Chemist and Mathematician, whatever difficulties and disgusts they may have had to struggle with, know and feel this. However painful may be the objects with which the Anatomist's knowledge is connected, he feels that his knowledge is pleasure; and where he has no pleasure he has no knowledge.
The pleasure of one's effect on other people still exists in age - what's called making a hit. But the hit is much rarer and made of different stuff.
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