A Quote by Ethan Coen
We used to watch the muscle movies on Saturday matinees, such as 'Hercules Unchained.' Then we'd go outside and do a remake of it.
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In my grammar school years back in the 1920s I used my ten-cents-a-week allowance for Saturday matinees of Douglas Fairbanks movies. All that swashbuckling and leaping about in the midst of the sails of ships!
A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes; it just keeps going.
When I was a kid, I used to watch all those Sunday afternoon matinees featuring all the Hollywood greats.
I used to go to two movies every week for the Saturday matinee when I was a kid.
I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
The truth is that I've always wanted to be an actor, ever since I was a child. I used to see these English movies which were shown to us in our school every Saturday, and then I used to enact the hero's part in my head.
The other two things are... well, I had a huge appetite for old black and white movies on BBC 2. At the weekends they used to run matinees, and the more romantic the better.
I like Telugu movies, then comes Bollywood and then English movies. In Tollywood, I like Mahesh Babu and Prabhas. But no, I don't watch all their movies. I first find out if the movie is nice. If it's a flop, I don't watch it.
When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.
My dad is a screenwriter, so he always used to watch movies for inspiration when I was a baby. I would watch movies with him, I guess, in the background.
My biggest ambition when I was younger was to appear on stage at what was then Nimrod, which is the theatre where my father used to take me on Sunday afternoons to see matinees. The most extraordinary things used to occur on that stage.
I was born to play Hercules. I have loved and honored the mythology over the years - since I was a kid. When I first broke into Hollywood, 'Hercules' was one of the movies that I - not chased, because I didn't have the power to chase anything - but always had in the back of my mind.
There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.
With any movie that gets remade, whether I like the remake or not, I'm glad that I can still go watch the original that I love. If the remake is offering something different, I really value that because I'm having a new experience and adding something new to my life.
So I'm trying to spread myself to the point to where I can do the night shows and not have to worry about the matinees, and do one or two matinees down through the year.
I remember when I was in the Middle East, Yasser Arafat used to go to Bahrain and Qatar on a Thursday and then go to Saudi Arabia and get his financial help on a Saturday.
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