A Quote by Ethan Coen
We tend to do period stuff because it helps make it one step removed from boring everyday reality.
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I think when you do stuff in a computer people tend to dismiss it. It also allows you to make a lot of stuff totally not connected with reality because you're not limited by any kind of reality.
Sometimes the work can get in the way and you give a less-good performance, and sometimes it doesn't and you can really get to the heart of something. And all the other stuff is just interesting and adds another layer to your performance. It helps you find the reality. Because you're not just playing yourself, you know? That would be kind of boring.
I want to draw subjects that seem very boring and everyday... Stuff that would be normal except for one thing. Or two things. Or stuff that's undeniably weird.
To me, the best comedians are the ones that take everyday, normal, boring stuff that no one thinks is funny, and they make it funny. That's the same style I go for.
I love doing period work, like all the trappings and the wigs and everything. It really helps when it's such a different world that you're immersing yourself in; it helps to get into the story, I think, and step into that different place.
I actually love doing period pieces, purely because it takes you into a different world, mentally. The clothes you have to wear are so far from our everyday clothes that it immediately helps with the character and putting you in that mind frame.
I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze the time period with comparisons to the figure and the facial structure. It helps to be comfortable with computers because the massive amount of research is kept electronically and shared with my staff this way. Very little is printed out. I work with an illustrator to come up with the proper silhouettes and details of the clothing from the time period to time period. And on and on.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
I've done a lot of period stuff but that's mostly because, in England, we get off on a lot of period stuff, but it's not any kind of particular choice. That's where a lot of the work is.
The sunlight ranges over the universe, and at incarnation we step out of it into the twilight of the body, and see but dimly during the period of our incarceration; at death we step out of the prison again into the sunlight, and are nearer to the reality.
Fiction helps me to reconnect with the true, deep weirdness inherent in everyday reality, in our dealings with one another, in just being alive.
I really think that even though Pinterest isn't a lot of people's idea of hard technology, it helps make everyday things a little bit better. And I believe that for most people, everyday things, those are everything.
I find it very strange doing voiceover stuff, because you find you have to enunciate and make stupid faces in order for the point to make sense, because it's playing against the deadpan Simpson face. If you're just speaking in the regular way you speak, it will sound really boring.
But with voice-over on a reality TV show, I think I'm pretty up there, maybe one of the best. It's a confidence boost, which helps my stand-up because I'll try more interesting stuff.
My friendships all tend to be quite steady, so it's really hard to novelise that stuff because it's just boring. I mean, there's interesting conversations, but there's no power struggle. And you can't work with equilibrium; you have to work with something that's just off and then observe how it tries to correct itself.
Quite often on a movie like Total Recall you have this training period of two or three months where, like on the first 'Underworld' I was doing gymnastics and trampolining and all this stuff which I don't do in the movie necessarily, but mentally it helps. You come home and you go: 'Well, I've done all that. I must be an action star now!' So it helps you focus a little bit and gets you fit.
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