A Quote by Ethan Slater

Playing SpongeBob is freeing. There is something intrinsically about him that people identify with no matter their age. — © Ethan Slater
Playing SpongeBob is freeing. There is something intrinsically about him that people identify with no matter their age.
I would hope that people, no matter what age, would find something to identify with in my books, pick one up and experience a personal sense of discovery. That's great. But for them, not for me.
I love playing a villain. I think that there's something freeing about that, and it's a different kind of challenge.
There's something really freeing about playing a character that isn't even, like, remotely likeable whatsoever.
The only reason to do a 'SpongeBob' on Broadway is if it's gonna bring something new to the brand, something new to 'SpongeBob,' and also something innovative to theater and to Broadway.
When the show starts, I am in my SpongeBob stance, and I walk like SpongeBob, and the first step that I take, I am SpongeBob.
Omnipotence means power to do all that is intrinsically possible, not to do the intrinsically impossible. You may attribute miracles to Him, but not nonsense.
There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.
I love playing a villain. I think that there's something freeing about that, and it's a different kind of challenge. More than anything, for me as an actor, it's about challenging myself and doing as many different things as I can.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life.
Once you identify the intrinsically motivated people, you realize that fancy degrees can actually be a negative - that some of the people who have them are more focused on how others perceive them.
The age doesn't really matter to me as it seems to matter to other people. A lot of people think that youth or age is the total sum of your knowledge about anything, and it's absolutely untrue. I think I might have even known more five years ago than I do now.
I thought there was something intrinsically fascinating about people who communicate for a living and are incapable of communicating in their personal lives.
I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
Age is something that doesn't matter, unless you are a cheese. Age is strictly a case of mind over matter. If you don't mind, it doesn't matter.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life. At the same time, they have an incredibly rigorous training schedule.
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