A Quote by Eugene Jarecki
If you watch the evening news, Dr. Kissinger is very often brought on to sort of be the statesman of his age and to reflect dispassionately on world events. And so a film challenging his legacy, a film that assesses charges that are quite grave against him, is something that is touchy for the media to show.
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Kissinger projects a strong impression of a man at home in the world and on top of his brief. But there are a number of occasions when it suits him to pose as a sort of Candide: naive, and ill-prepared for and easily unhorsed by events. No doubt this pose costs him something in point of self-esteem. It is a pose, furthermore, which he often adopts at precisely the time when the record shows him to be knowledgeable, and when knowledge or foreknowledge would also confront him with charges of responsibility or complicity.
The legislator must be in advance of his age.
Across the mind of the statesman flash ever and anon the brilliant, though partial, intimations of future events.... Something which is more than fore-sight and less than prophetic knowledge marks the statesman a peculiar being among his contemporaries.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
I mean, like a lot of kids growing up in the early seventies, I was fed Dr. Kissinger with my Fruit Loops. He was the Dr. Ruth of American foreign policy, and the model statesman.
The opposition is indispensable. A good statesman, like any other sensible human being, always learns more from his opponents than from his fervent supporters. For his supporters will push him to disaster unless his opponents show him where the dangers are. So if he is wise he will often pray to be delivered from his friends, because they will ruin him. But though it hurts, he ought also to pray never to be left without opponents; for they keep him on the path of reason and good sense.
Peter Jennings was the James Bond of evening news, and I always wanted to be that. His evening news was really a conversation with America, and I hope that's something I can achieve.
My grandfather lived to be 96 years old. He was born in a town outside of Salerno in Southern Italy. He came to New York when he was 20. He lived in the States from age 20 to 96, but he brought his culture with him, he brought his food with him, he brought his language with him, he never spoke a word of English.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
I'm a big movie fan. After a show, if I'm on the bus or a plane, it's often hard to get to sleep, so I'll watch a film. An action film can even relax me.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
Such was his popularity that a film would sell only in his name. People would watch a particular film because it had Mehar Mittal in the cast.
When Clapper raised his hand and lied to the American public, was anyone tried? Were any charges brought? Within 24 hours of going public, I had three charges against me.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
Atten. Pray of what disease did Mr. Badman die, for now I perceive we are come up to his death? Wise. I cannot so properly say that he died of one disease, for there were many that had consented, and laid their heads together to bring him to his end. He was dropsical, he was consumptive, he was surfeited, was gouty, and, as some say, he had a tang of the pox in his bowels. Yet the captain of all these men of death that came against him to take him away, was the consumption, for it was that that brought him down to the grave.
Kissinger's unusually high body count and singular moral imperiousness has the effect, among his critics, of obscuring his didactic utility. An outsized personality who has committed outsized mayhem, Kissinger eclipses his own context. Yet, as animals were to the anthropologist Claude Levi-Strauss, Kissinger is good to think with.
For though ours is a godless age, it is the very opposite of irreligious. The true believer is everywhere on the march, and both by converting and antagonizing he is shaping the world in his own image. And whether we are to line up with him or against him, it is well that we should know all we can concerning his nature and potentialities.
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