A Quote by Eva Chen

Working at 'Harper's' was an awakening experience for me. I genuinely enjoyed the process of putting together a fashion magazine. — © Eva Chen
Working at 'Harper's' was an awakening experience for me. I genuinely enjoyed the process of putting together a fashion magazine.
I realised that I enjoyed direction while making 'DCH.' The process of putting a film together and working with the cast and crew felt good.
I got that experience through dating dozens of men for six years after college, getting an entry level magazine job at 21, working in the fiction department at Good Housekeeping and then working as a fashion editor there as well as writing many articles for the magazine.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
If you are a reader of 'Harper's Bazaar,' to me, you are a woman who loves fashion, but not just fashion; you love fashion, you love travel, you love art, you love music.
I loved working with Cybill Shepherd. We had a good time together; we enjoyed being girlfriends. It was a real comfortable fit for us. I loved putting on a suit and tie.
I really enjoyed working with Daniel [Craig], because he's a brilliant actor at the top of his game. That gave me an opportunity to learn from the best, which is what you're always looking for as a performer in order to grow and get better at your craft. It was also great because he was so nice and incredibly supportive, because it really was an intimidating experience for me. He sort of held my hand and said, "We're in this together and we'll get through it together." And he did look after me.
I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.
What gets me excited by the process of making art is how unrelated elements get fused, which is a formal process. The content is the easy part. Putting it together in a way that's cohesive is the challenge.
I am no king, and I am no lord, And I am no soldier at-arms," said he. "I'm none but a harper, and a very poor harper, That am come hither to wed with ye." "If you were a lord, you should be my lord, And the same if you were a thief," said she. "And if you are a harper, you shall be my harper, For it makes no matter to me, to me, For it makes no matter to me." "But what if it prove that I am no harper? That I lied for your love most monstrously?" "Why, then I'll teach you to play and sing, For I dearly love a good harp," said she.
I never really enjoyed getting a portfolio together then sending it out; whereas, putting up the website is quite an enjoyable experience. The net's just a much faster and more modern way to distribute things, and you have to embrace it.
Before I went to boarding school, I had never read a fashion magazine. I grew up on a council estate in London, and fashion magazines were a luxury item that weren't even on my mind. The closest I got to a fashion magazine was my cousin's 'Top of the Pops' magazines, where we would learn the lyrics to every song and put posters on our walls.
'Vogue' is a fashion magazine, and a fashion magazine is about change.
But I like the process of putting a show together and the impact that Edinburgh has on me as a performer.
I didn't understand anything about fashion until I moved to Canada when I was 9. That's when I learned English and was exposed to fashion magazines like Harper’s Bazaar and Vogue.
Before I really became interested in fashion, all I would look at in a fashion magazine was the ads. It only dawned on me recently that just looking at the ads really doesn't teach you everything you need to know about the fashion world.
Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.
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